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Academic attention to science fiction and fantasy began in 1958, when the Modern Language Association scheduled its first seminar on science fiction at its New York meeting. Over the years science fiction emerged as a popular subject that achieved critical attention and acceptance as an academic discipline. A Research Guide to Science Fiction Studies, originally published in 1977, is designed to provide the reader – whether they be scholar, teacher, librarian, or fan – with a comprehensive listing of the important research tools that have been published in the United States and England through 1976. The volume contains over 400 selected, annotated entries covering both general and specialized sources, including general surveys, histories, genre studies, author studies, bibliographies, and indices, which span the entire range of science fiction and fantasy scholarship.
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This will be the basic tool for researchers studying the 100-year history of science fiction, fantasy, and weird fiction magazines. Reference Books Bulletin
“An Earth-man’s journey to the planet Mars, where he is treated to a wondrous vision of a communist future, complete with flying cars and 3D color movies.” —Wonders & Marvels A communist society on Mars, the Russian revolution, and class struggle on two planets is the subject of this arresting science fiction novel by Alexander Bogdanov (1873–1928), one of the early organizers and prophets of the Russian Bolshevik party. The red star is Mars, but it is also the dream set to paper of the society that could emerge on earth after the dual victory of the socialist and scientific-technical revolutions. While portraying a harmonious and rational socialist society, Bogdanov sketches out t...
One of the very first books to take Stephen King seriously, Landscape of Fear (originally published in 1988) reveals the source of King's horror in the sociopolitical anxieties of the post-Vietnam, post-Watergate era. In this groundbreaking study, Tony Magistrale shows how King's fiction transcends the escapism typical of its genre to tap into our deepest cultural fears: "that the government we have installed through the democratic process is not only corrupt but actively pursuing our destruction, that our technologies have progressed to the point at which the individual has now become expendable, and that our fundamental social institutions-school, marriage, workplace, and the church-have, ...
This explains the discipline of semiotics, the study of how messages of status and power are consciously and unconsciously transmitted in our culture.
Stories contained in this book: The Swords of Faerie Jack of all Arts: William Morris Two Men in One: Lord Dunsany Eldritch Yankee Gentleman: H. P. Lovecraft Superman in a Bowler: E. R. Eddison The Miscast Barbarian: Robert E. Howard Parallel Worlds: Fletcher Pratt Sierran Shaman: Clark Ashton Smith Merlin in Tweeds: J. R. R. Tolkien The Architect of Camelot: T. H. White Conan's Compeers
A collection of highly readable critical essays (1977-2023) by a leader in the field of American social art history. Among the subjects Alan Wallach explores are the art of Thomas Cole, patronage of the Hudson River School, so-called “Luminism,” the rise of the American art museum, the historiography of American art, scholarship and the art market, as well as the work of Augustus Saint-Gaudens, Rockwell Kent, Grant Wood, Philip Evergood, and Norman Rockwell. Throughout, Wallach employs a materialist approach to argue against traditional scholarship that considered American art and art institutions in isolation from their social, historical, and ideological contexts.