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A radical reimagining of the minotaur myth, from an essential voice in world literature. Winner of the Jan Michalski Prize for Literature • Finalist for the PEN Literary Award for Translation and the Strega Europeo Published a decade before his International Booker Prize–winning Time Shelter, Georgi Gospodinov’s The Physics of Sorrow has become an underground cult classic. Finding strange solace in the myth of the Minotaur, a man named Georgi reconstructs the story of his life like a labyrinth, meandering through the past to find the melancholy child at the center of it all. With profound wit and empathy, he catalogues curious instances of abandonment, spanning from antiquity to the Anthropocene; recounts scenes of a turbulent boyhood in 1970s Bulgaria, spent mostly in a basement; and charts a bizarre run-in with an eccentric flaneur named Gaustine. Exquisitely translated by Angela Rodel, and exhibiting his signature audacious style, this expansive work affirms Gospodinov as “one of Europe’s most fascinating and irreplaceable novelists” (Dave Eggers).
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Joanna Piotrowska's uncomfortable album, a series of staged family shots, insists upon the fundamental anxiety at the heart of the family: its system of relationships, adamantine bonds that are equally oppressive and rewarding. Her images display intimate family scenes - cosily paired bodies, meeting and converging, in images which teeter on the verge of a dysfunctional moment. In one snapshot, two adult brothers lie together on a Persian carpet wearing only white briefs; in another, the black-clothed bodies of two embracing women merge, suggesting the atavistic overlap of mother and daughter. The title itself, which denotes a warm or stuffy atmosphere, captures the paradoxical nature of the...
The Bulgarian writer Nikola Vaptsarov (1909-1942) was one of the most significant European poets of the twentieth-century, a radical Modernist whose work has often been compared to that of Mayakovsky and Lorca. A marine engineer, fireman, fitter, railway-stoker, trade-unionist and a Communist, Vaptsarov was executed during the Second World War for his part in the Bulgarian resistance. He was thirty-three. Although only one book of Vaptsarov's poems, Motor Songs, was published in his life-time, since his death his poetry has been translated into over fifty languages. He wrote a quick, colloquial, concrete, argumentative poetry that transcended the usual idioms of Communist ideology to include cinema, radio, adverts, popular culture and modern technology.
In the Shadow of Yalta is a comprehensive study of the artistic culture of the region between the Iron Curtain and the USSR, taking in Bulgaria, Czechoslovakia, Germany, Hungary, Poland, Romania and Yugoslavia. Piotr Piotrowski chronicles the relationship between art production and politics in this zone between the end of World War II and the fall of Communism, focusing in particular on the avant-garde.
Liquid Membranes: Principles and Applications in Chemical Separations and Wastewater Treatment discusses the principles and applications of the liquid membrane (LM) separation processes in organic and inorganic chemistry, analytical chemistry, biochemistry, biomedical engineering, gas separation, and wastewater treatment. It presents updated, useful, and systematized information on new LM separation technologies, along with new developments in the field. It provides an overview of LMs and LM processes, and it examines the mechanisms and kinetics of carrier-facilitated transport through LMs. It also discusses active transport, driven by oxidation-reduction, catalytic, and bioconversion reacti...
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Stories within stories, a few contemporary fables, a hint of the narrative complexity of Borges, a whiff of the gritty realism of pre- and post-communist life in Eastern Europe - these are the elements that come together in a unique and surprising way in the wildly imaginative and endlessly engaging short stories of Georgi Gospodinov. Whether a tongue-in-cheek crime/horror story or the Christmas story of a pig, a language game leading to an unexpected epiphany or an inward-looking tale built on the complexity of a puzzle box, the work in this collection offers a kaleidoscopic experience of a writer whose style has been described as anarchic, experimental (New Yorker) and compulsively readable (New York Times). Gospodinov's debut prose work Natural Novel was hailed as a go-for-broke postmodern construction - a devilish jam of jump-cut narration, pop culture riffs, wholesale quotation, and Chinese-box authorship (Village Voice). At once familiar and fantastic, his writing is high comedy, high seriousness, and of very high order.