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An Entrance for the Eyes
"How refreshing, how absolutely refreshing, to find a book on Dutch painting that asks readers to begin by simply looking. Hollander is faithful to the possibility--so common in painting, so unusual in scholarship--that the paintings are elusive, evasive, unsystematically ambiguous. Doors ajar, windows onto the street, paintings within paintings, half-drawn curtains, blank mirrors, a man's coat hung on a nail: those are the engines of interpretation, and Hollander tells their history lucidly and entirely persuasively."—James Elkins, author of The Object Stares Back "Hollander offers fresh and compelling readings of key works by Karel van Mander, Gerard Dou, Nicolaes Maes, and Pieter de Hoo...
Poets on Paintings
Ekphrasis, the description of pictorial art in words, is the subject of this bibliography. More specifically, some 2500 poems on paintings are catalogued, by type of publication in which they appear and by poet. Also included are 2000 entries on the secondary literature of ekphrasis, including works on sculpture, music, photography, film, and mixed media.
Shapely Bodies
Shapely Bodies is the first study of the politics behind the making of porcelain’s fashionable image in eighteenth-century France.
Norman Rockwell
Publisher description
The Religious Paintings of Hendrick ter Brugghen
The first in-depth study of the Utrecht artist to address questions beyond connoisseurship and attribution, this book makes a significant contribution to Ter Brugghen and Northern Caravaggist studies. Focusing on the Dutch master's simultaneous use of Northern archaisms with Caravaggio's motifs and style, Natasha Seaman nuances our understanding of Ter Brugghen's appropriations from the Italian painter. Her analysis centers on four paintings, all depicting New Testament subjects. They include Ter Brugghen's largest and first known signed work (Crowning with Thorns), his most archaizing (the Crucifixion), and the two paintings most directly related to the works of Caravaggio (the Doubting Tho...
From Criminal to Courtier
At once military, social and art history, this book elucidates various visual media, much of it little known, that denounce military cruelty in the Netherlands of the 16th and 17th century. This unique Netherlands specialty contrasts with Rubens' glorification of war, and its justification in patriotic siege prints, Scipio Africanus, and the "courtiers" of the civic guard groups and Ter Borch.
Money and Materiality in the Golden Age of Graphic Satire
This book examines the entwined and simultaneous rise of graphic satire and cultures of paper money in late eighteenth- and early nineteenth-century Britain. Asking how Britons learned to value both graphic art and money, the book makes surprising connections between two types of engraved images that grew in popularity and influence during this time. Graphic satire grew in visual risk-taking, while paper money became a more standard carrier of financial value, courting controversy as a medium, moral problem, and factor in inflation. Through analysis of satirical prints, as well as case studies of monetary satires beyond London, this book demonstrates several key ways that cultures attach value to printed paper, accepting it as social reality and institutional fact. Thus, satirical banknotes were objects that broke down the distinction between paper money and graphic satire altogether.
Dutch Art
An illustrated feast for the eye and intellect Dutch Art explores developments in art, art history, art criticism, and cultural history of the Netherlands from the artists' workshops for the Utrecht Dom in 1475 to the latest movements of the 1990s. it is lavishly illustrated with 147 black-and-white photographs and 16 pages in full color. More than 100 internationally recognized scholars, museum professionals, artists, and art critics contributed signed essays to this monumental work, including historians, sociologists, and literary historians.
Veils of infinite sweet nectars of…?
With prose as vivid as the photographs it celebrates, this narrative explores the depths of human connection and the power of art to express the inexpressible. From the spirited streets of Nalgonda to the serene beauty of the landscapes around the world, each page is a step closer to understanding what it means to truly live and love in a fragile world. In the shadow of a world where allegories shape reality and photography captures more than just images, this book brings you a tale of human triumph and a quest for understanding. Amidst the backdrop of the quiet corners of the human heart, begin a journey that transcends the boundaries of the ordinary. "
