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La violencia nuestra de cada día
La violencia es en nuestro mundo actual como una niebla que empaña la vista y torna en gris todo lo que nos rodea. Invade nuestro entorno poco a poco, se filtra silenciosa en todos los rincones. Nadie sabe, o no quiere saber, de dónde viene, dónde se originó. Nos pesa enfrentar que su raíz está dentro del sujeto, del Yo abandonado a su suerte ante un mundo hostil, difícil de remontar, y sólo cuando estalla en grandes proporciones parece preocuparnos de verdad. Blanca Aguilar Plata
Water Ecosystem Services
This book uses ecosystem services-based approaches to address major global and regional water challenges, for researchers, students, and policy makers.
Neon in Daylight
'What do you get when a writer of extreme intelligence, insight, style and beauty chronicles the lives of self-absorbed hedonists - The Great Gatsby, Bright Lights, Big City, and now Neon in Daylight. Hermione Hoby held me spellbound' Ann Patchett, author of COMMONWEALTH 'Hoby is so good at unpacking all the strange dynamics at work in sex and desire' Emma Cline, author of THE GIRLS 'The perfect book with which to while away those hot summer nights' Independent 'Expect Gatsby-esque hedonism and lyricism' Evening Standard 'You will be transfixed' The Pool 'Smart, shimmering ... glinting with pocketable images and insights ... A vibrant rush of a novel' Observer A New York summer so hot the ai...
The Book Club Cookbook
A combination of cookbook and discussion ideas for popular book club selections features an assortment of recipes for masterful culinary creations that tie in with a variety of literary masterpieces, including "Honey Cakes" to go with The Secret Life of Bees or "Shrimp Flautas" for Richard Russo's Empire Falls. Original. 35,000 first printing.
Where the Dead Sit Talking
2018 NATIONAL BOOK AWARD FICTION FINALIST Set in rural Oklahoma during the late 1980s, Where the Dead Sit Talking is a stunning and lyrical Native American coming-of-age story. With his single mother in jail, Sequoyah, a fifteen-year-old Cherokee boy, is placed in foster care with the Troutt family. Literally and figuratively scarred by his mother’s years of substance abuse, Sequoyah keeps mostly to himself, living with his emotions pressed deep below the surface. At least until he meets seventeen-year-old Rosemary, a troubled artist who also lives with the family. Sequoyah and Rosemary bond over their shared Native American background and tumultuous paths through the foster care system, but as Sequoyah’s feelings toward Rosemary deepen, the precariousness of their lives and the scars of their pasts threaten to undo them both.
