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She belted out big hits, including "Heat Wave" and "Dancing in the Street," for Motown Records during its golden years. However, behind the scenes, Martha Reeves took a beating from her once supportive mentor, Berry Gordy, Jr., and her arch rival Diana Ross. As bold and passionate a storyteller as a singer, Reeves tells it all in this fascinating biography. Three 8-page photo inserts.
This book uniquely combines gender theory, case studies, and the legal challenges surrounding the mechanisms of gender discrimination at work. It provides the student with real-life examples from managers (based on interviews with people who experienced discrimination) that help students understand how gender discrimination operates, even when there are legal protections against it. At the end of each case study, students are asked to put themselves in the shoes of the individual experiencing the discrimination and ask themselves reflect on how they would handle the situation. Students must examine their own beliefs about gender and work place practices and consider consequences of actions they might take. In addition to the sections of theory, cases, and legal challenges, websites of interest are included student assignments and classroom activities. Key features include: Engaging case studies embedded in each chapter Legal cases that highlight each chapter and lend credibility to each case study Discussions of international/global situations Suggestions for student assignments/projects
First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine.
Can a song change a nation? In 1964, Marvin Gaye, record producer William “Mickey” Stevenson, and Motown songwriter Ivy Jo Hunter wrote “Dancing in the Street.” The song was recorded at Motown’s Hitsville USA Studio by Martha and the Vandellas, with lead singer Martha Reeves arranging her own vocals. Released on July 31, the song was supposed to be an upbeat dance recording—a precursor to disco, and a song about the joyousness of dance. But events overtook it, and the song became one of the icons of American pop culture. The Beatles had landed in the U.S. in early 1964. By the summer, the sixties were in full swing. The summer of 1964 was the Mississippi Freedom Summer, the Berke...
The editor o the acclaimed Back To The Beach gathers together the best writing on Motown in a collection spanning four decades. From profiles of key artists like Diana Ross, Smokey Robinson, and Marvin Gaye to analyses of Motown's hit factory songwriting partnerships and the sociological impact of the label on Sixties' America. Contributors include top critics like Dave March, Richard Williams and John Rockwell.
The new edition of the groundbreaking chronicle of forty years of black music in America
The weekly source of African American political and entertainment news.
EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine.
The weekly source of African American political and entertainment news.