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Martha Rosler
The politically engaged work of Martha Rosler is fascinating and provocative; this wide-ranging survey brings timely insights at a moment of resurgence for political activism and feminism.
Decoys and Disruptions
The first comprehensive collection of writings by Martha Rosler considers the intersection of art and politics, the operation of art systems, feminist art practices, and the media.
Martha Rosler
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Martha Rosler
"In her diverse work, be it photography, installation, performance, video, critical writing or fiction, Martha Rosler constructs incisive social political analyses of the myths and realities of a patriarchal culture. Articulated with deadpan wit, Rosler's work investigates the socioeconomic realities and political ideologies that dominate ordinary life. Presenting astute critical analyses in accessible forms, her inquiries are didactic but not hortatory."--Page 4 de la couverture.
Martha Rosler Library
This text presents about 7,800 publications from the personal library of the artist Martha Rosler on extended loan to e-flux.
Martha Rosler
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Culture Class
In this collection of essays Martha Rosler embarks on a broad inquiry into the economic and historical precedents for today's soft ideology of creativity, with special focus on its elaborate retooling of class distinctions. In the creative city, the neutralization or incorporation of subcultural movements, the organic translation of the gritty into the quaint, and the professionalization of the artist combine with armies of eager freelancers and interns to constitute the friendly user interface of a new social sphere in which, for those who have been granted a place within it, an elaborate retooling of traditional markers of difference has allowed class distinctions to be either utterly diss...
Martha Rosler
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Martha Rosler
The first sustained critical examination of a work by Martha Rosler that bridged the concerns of conceptual art with those of political documentary. In The Bowery in two inadequate descriptive systems (1974–1975) Martha Rosler bridged the concerns of conceptual art with those of political documentary. The work, a series of twenty-one black-and-white photographs, twenty-four text panels and three blank panels, embraces the codes of the photo-text experiments of the late 1960s and applies them to the social reality of New York's Lower East Side. The prevailing critical view of The Bowery focuses on its implicit rejection, or critique, of established modes of documentary. In this illustrated,...
MARTHA ROSLER
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