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Founder of sixpackfilm, a platform for Austrian film and video, Viennese artist Martin Arnold (born 1959) has defined himself as an independent filmmaker since 1987. This publication demonstrates Arnold's animated short films that distort and manipulate classic characters from Walt Disney films.
From the fire-breathing beasts of North European myth and legend to the Book of Revelation’s Great Red Dragon of Hell, from those supernatural agencies of imperial authority in ancient China to the so-called dragon-women who threaten male authority, dragons are a global phenomenon, one that has troubled humanity for thousands of years. These often scaly beasts take a wide variety of forms and meanings, but there is one thing they all have in common: our fear of their formidable power and, as a consequence, our need either to overcome, appease, or in some way assume that power as our own. In this fiery cultural history, Martin Arnold asks how these unifying impulses can be explained. Are they owed to our need to impose order on chaos in the form of a dragon-slaying hero? Is it our terror of nature, writ large, unleashed in its most destructive form? Or is the dragon nothing less than an expression of that greatest and most disturbing mystery of all: our mortality? Tracing the history of ideas about dragons from the earliest of times to Game of Thrones, Arnold explores exactly what it might be that calls forth such creatures from the darkest corners of our collective imagination.
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Presents a history that traces the 300-year saga of the pirates and warlords who poured out of Scandinavia between the eighth and eleventh centuries, terrorizing, conquering, and settling vast stretches of Europe. This work provides an account of this early medieval period that became known as the Viking Age.
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This landmark biography stands as an invaluable antidote to the historical distortion surrounding the life of Benedict Arnold.
The Chocolate Romance Series-Book 2!Love Comes in Many Packages!Andrea Flaven only dates black men. Imagine her surprise when she wakes up and realizes she was intimate with a white man! To make matters worse she can't remember the details of the passionate night. Andrea's world is thrown off-kilter! Unintentionally, the gorgeous white man in question, Marceau LeBlanc, keeps her in a state of flummox. Will Andrea release her pre-conceived notions and give love a try, or will she stay within her comfort zone and reduce her interaction with Marceau to an interesting anecdote!
R is a language and environment for data analysis and graphics. It may be considered an implementation of S, an award-winning language initially - veloped at Bell Laboratories since the late 1970s. The R project was initiated by Robert Gentleman and Ross Ihaka at the University of Auckland, New Zealand, in the early 1990s, and has been developed by an international team since mid-1997. Historically, econometricians have favored other computing environments, some of which have fallen by the wayside, and also a variety of packages with canned routines. We believe that R has great potential in econometrics, both for research and for teaching. There are at least three reasons for this: (1) R is ...
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This sequel to A Critical Cinema offers a new collection of interviews with independent filmmakers that is a feast for film fans and film historians. Scott MacDonald reveals the sophisticated thinking of these artists regarding film, politics, and contemporary gender issues. The interviews explore the careers of Robert Breer, Trinh T. Minh-ha, James Benning, Su Friedrich, and Godfrey Reggio. Yoko Ono discusses her cinematic collaboration with John Lennon, Michael Snow talks about his music and films, Anne Robertson describes her cinematic diaries, Jonas Mekas and Bruce Baillie recall the New York and California avant-garde film culture. The selection has a particularly strong group of women filmmakers, including Yvonne Rainer, Laura Mulvey, and Lizzie Borden. Other notable artists are Anthony McCall, Andrew Noren, Ross McElwee, Anne Severson, and Peter Watkins.