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Samuel Palmer
A facsimile edition of the visionary Romantic painter's only surviving sketchbook reflects a time when Palmer, as a nineteen-year-old in rural Kent, was endeavoring to establish his mature style, an effort that was influenced by his religious faith and his tutelage under William Blake and John Linnell.
William Blake
This first comprehensive selection of Blake's poetry and prose in modernized form with complete annotation fully represents his extraordinarily diverse achievements and breaks new ground in elucidating his powerful prose. Organized by genre and subject for easy accessibility to the student and first-time reader, as well as to the specialist, the anthology includes nearly all of Blake's poetry and prose works and some of his letters. The epic narratives Milton and Jerusalem are reproduced in full, and an index of Blakean names and motifs is included.
Drawings of William Blake
The artist and poet are clearly revealed in these reproductions of Blake's pencil drawings
Our True Intent is All for Your Delight
Our True Intent Is All For Your Delight features the vintage color photographs of the John Hinde postcard company, originally made in the 1970s for sale as postcards and published here in book form for the first time. Butlin's was a network of Holiday Camps that revolutionized the British holiday in the years following World War II and, by the 1970s, was attracting a million people each year. The John Hinde team of photographers documented Butlin's glamorous and kitsch bars and ballrooms with technical brilliance and with the participation of large casts of holidaymakers. Precursors to the art photography of Andreas Gursky and Jeff Wall, these images are simultaneously heart-warming and hila...
Landscapes of Memory
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1980. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived
The Sound of My Voice
Morris Magellan wakes one morning to find himself stuck in a corporate job and living the suburban dream with a wife and two children, except this dream feels like a nightmare. Out of his depth and starting to drift from reality, we meet Morris at the precipice. Bit by bit he is losing his struggle with addiction – he just doesn't know it yet. His only solace and escape from suburban family life and corporate duties is music and alcohol. His life is soundtracked with symphonies and concertos, every note, and every drink, carries him from moment to moment hoping to salvage something of himself before that too slips from his grasp. Harrowing but compellingly written, with humour and compassion, The Sound of My Voice is a stylistic masterpiece that presents conflict between a man's cowardice and cruelty, and a desperate attempt to recover his humanity.
Turner at the Tate
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The Early Illuminated Books
"The nature of William Blake's genius and of his art is most completely expressed in his Illuminated Books. In order to give full and free expression to his vision Blake invented a method of printing that enabled him to created works in which words and images combine to form pages uniquely rich in content and beautiful in form. It is only through the pages as originally conceived and published by the poet himself that Blake's meaning can be fully experienced."--Publisher's description.
J.M.W. Turner and the Subject of History
J.M.W. Turner and the Subject of History is an in-depth consideration of the artist's complex response to the challenge of creating history paintings in the early nineteenth century. Structured around the linked themes of making and unmaking, of creation and destruction, this book examines how Turner's history paintings reveal changing notions of individual and collective identity at a time when the British Empire was simultaneously developing and fragmenting. Turner similarly emerges as a conflicted subject, one whose artistic modernism emerged out of a desire to both continue and exceed his eighteenth-century aesthetic background by responding to the altered political and historical circumstances of the nineteenth century.
