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All Around My Hat
Formed in 1969 as a traditional folk group, they gradually moved into folk-rock territory, with their disdain for the more purist elements, and a love of mixing original material with traditional songs and ambitious musical arrangements. This biography examines the music, line-up changes, highs and lows, and periods of their commercial success.
English Folk Guitar
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Who Killed Cock Robin?
Now in paperback, an entertaining and enlightening compendium at the intersection of two great British folk traditions: song and encounters with the law. At the heart of traditional songs rest the concerns of ordinary people. And folk throughout the centuries have found themselves entangled with the law: abiding by it, breaking it, and being caught and punished by it. Who Killed Cock Robin? is an anthology of just such songs compiled by one of Britain’s most senior judges, Stephen Sedley, and best-loved folk singers, Martin Carthy. The songs collected here are drawn from manuscripts, broadsides, and oral tradition. They are grouped according to the various categories of crime and punishment, from Poaching to the Gallows. Each section contains a historical introduction, and every song is presented with a melody, lyrics, and an illuminating commentary that explores its origins and sources. Together, they present unique, sometimes comic, often tragic, and always colorful insight into the past, while preserving an important body of song for future generations.
Wayward Daughter
Eliza Carthy is the daughter of Martin Carthy and Norma Waterson. The clan has often been rightly described as folk's royal family. Martin was in Steeleye Span, Albion Dance band and the Watersons as well as holding down a successful solo career. Norma was a member of the Watersons folk group. Perhaps it was inevitable that Eliza would follow the family trade and become a folk musician. She is no pale imitator though, and can play just about any stringed instrument like a virtuoso, though amazingly she underrates herself. This self- doubt seems at odds with the public persona of a brassy northern lass, who has sometimes been described as 'difficult' (though not in our experience). Her albums...
Singing from the Floor
In smoky rooms above pubs, bare rooms with battered stools and beer-stained tables, where the stage was little more than a scrap of carpet and sound systems were unheard of, an acoustic revolution took place in Britain in the 1950s and '60s. This was the folk revival, where a generation of musicians, among much drink and raucous cheer, would rediscover the native songs of their own tradition, as well as the folk and blues coming from across the Atlantic by artists such as Leadbelly, Woody Guthrie and Big Bill Broonzy. Singing from the Floor is the story of this remarkable movement, faithfully captured in the voices of those who formed it by JP Bean. We hear from luminaries such as Shirley Co...
Small Hours
No one else sounded like John Martyn. No genre could claim him. He is one of the few musicians truly deserving of over-used terms like 'one-off' and 'unique.' He is a treasure, no less precious for being tarnished. He was a uniquely expressive singer, a dazzling guitarist on both acoustic and electric, a fearless experimenter, a poetic songwriter, a vaulting live performer, and an innovative recording artist. His music was that of both a troubled soul and an inveterate chancer and charmer; he was at once bar-room raconteur and small hours' brooder. He lived an extraordinary and often chaotic life. It involved alcoholism, heavy drug-taking, two failed marriages, and numerous affairs; by his o...
Electric Eden
Rob Young's Electric Eden: Unearthing Britain's Visionary Music is a seminal book on British music and cultural heritage, that spans the visionary classical and folk tradition from the nineteenth-century to the present day. 'A thoroughly enjoyable read and likely to remain the best-written overview for a long time.' GUARDIAN 'A perfectly timed, perfectly pitched alternative history of English folk music . . . wide-ranging, insightful, authoritative, thoroughly entertaining.' NEW STATESMAN 'A stunning achievement.' SIMON REYNOLDS 'A masterpiece.' CAUGHT BY THE RIVER 'Excellent . . . blissfully quotable.' NEW YORK TIMES 'An authoritative account.' THE TIMES 'Consistently absorbing.' INDEPENDEN...
Bob Dylan in London
'A must have for Dylan enthusiasts, lovers of London, and anyone with even a passing interest in the history of music. I devoured it in two sittings - and I loved it!' Conor McPherson, playwright, Girl from the North Country This is both a guide and history on the impact of London on Dylan, and the lasting legacy of Bob Dylan on the London music scene. Bob Dylan in London celebrates this journey, and allows readers to experience his London and follow in his footsteps to places such as the King and Queen pub (the first venue that Dylan performed at in London), the Savoy hotel and Camden Town. This book explores the key London places and times that helped to create one of the greatest of all popular musicians, Bob Dylan.
An Evolving Tradition
The Child Ballads are a series of over 300 traditional ballads from England and Scotland that, along with their American variants, were anthologized by folklorist Francis James Child in the nineteenth century. An Evolving Tradition is the story of the Child Ballads—the world’s best-known and most highly regarded repository of traditional English folk songs, and the wellspring for approximately 10,000 recordings over the last century, from obscure musicological archives to classic releases from Bob Dylan, Simon & Garfunkel, and Led Zeppelin. Drawing on interviews with numerous scholars and musicians, author Dave Thompson explains what a ballad is, outlines their dominant themes, and recounts how these ballads survived to become a mainstay of field recordings made by Cecil Sharp, Alan Lomax, and others as they traveled the English and American countryside in search of old songs. Thompson traverses the entire spectrum of rock, pop, folk, roots, experimental music, industrial, and goth to reveal the remarkable legacy and incalculable influence of the Child Ballads on all manner of modern music.
