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Martin Chirino
Catálogo coordinado por Francisco J. Roche de la exposición "Martín Chirico: retrospectiva", comisariada por Ana Beristain y coordinada por Hilda de Mauricio, organizada en el Palacio de Velázquez del 10 de mayo al 21 de julio de 1991, que pretende conmemorar la actividad artística del escultor a través de una retrospectiva de su obra, presentando una selección de su producción entre los años 50 y 90 del s. XX.
Martin Chirino
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Martín Chirino
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New York Magazine
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
The Reading Room/8
A literary journal in book form. Essays, fiction, poetry, and art.
Loaded Brush
Artist Michael Lawrence has followed his own passions: dance, theatre, poetry and music transcribing his feelings into exhuberant, colorful, tender reflections. Michael has exhibited his paintings and sculptures in numerous countries and is widely collected. Film director Oliver Stone, author Ray Bradbury and movie star Kirk Douglas are amongst the collectors who own his work. Dedicated to Charles Chaplin, Loaded Brush is 415 pages featuring over 150 images details a fascinating and memorable life in art.
My Voyage in Art
My Voyage in Art includes 197 colour images of paintings, watercolours, sculptures and people over a 60 year period accompanied by a detailed essay. Encounters with Roy Lichtenstein, Jim Morrison, Andy Warhol and others illuminate.
First Drawings
This study is a visual ride through the primary motifs of human art. Examples show how certain basic patterns reappear, time and again, all over the world. It tries to answer the question why prehistoric art, tribal art, child art and modern art have so many design elements in common.
Cannibalizing the Canon
This rich, in-depth exploration of Dada’s roots in East-Central Europe is a vital addition to existing research on Dada and the avant-garde. Through deeply researched case studies and employing novel theoretical approaches, the volume rewrites the history of Dada as a story of cultural and political hybridity, border-crossings, transitions, and transgressions, across political, class and gender lines. Dismantling prevailing notions of Dada as a “Western” movement, the contributors to this volume present East-Central Europe as the locus of Dada activity and techniques. The articles explore how artists from the region pre-figured Dada as well as actively “cannibalized”, that is, reabsorbed and further hybridized, a range of avant-garde techniques, thus challenging “Western” cultural hegemony.
