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The Feminine Political Novel in Victorian England
In this book, Barbara Leah Harman convincingly establishes a new category in Victorian fiction: the feminine political novel. By studying Victorian female protagonists who participate in the public universe conventionally occupied by men - the world of mills and city streets, of political activism and labor strikes, of public speaking and parliamentary debates - she is able to reassess the public realm as the site of noble and meaningful action for women in Victorian England. Harman examines at length Bronte's Shirley, Gaskell's North and South, Meredith's Diana of the Crossways, Gissing's In the Year of Jubilee, and Elizabeth Robins's The Convert, reading these novels in relation to each other and to developments in the emerging British women's movement. She argues that these texts constitute a countertradition in Victorian fiction: neither domestic fiction nor fiction about the public "fallen" woman, these novels reveal how nineteenth-century English writers began to think about female transgression into the political sphere and about the intriguing meanings of women's public appearances.
Carpenters of Light
No descriptive material is available for this title.
The Anatomy of Melancholy
Burton's learned and satirical The Anatomy of Melancholy (first published in 1621) is one of the last great works of English prose to have remained unedited. This volume inaugurates an authoritative edition of the work, which is being prepared by a team of scholars from both sides of the Atlantic. It will be followed by two further volumes of text with textual apparatus, and two volumes of commentary.
The Oxford Illustrated History of English Literature
Britain possesses a literary heritage virtually unrivaled in the Western world. This lavishly illustrated volume explores the richness, diversity, and continuity of that tradition. Under the general editorship of Pat Rogers, some of Britain's foremost literary scholars trace the history of English literature from its first stirrings in Anglo-Saxon poetry to the present day. The contributors aim to convey to the reader the pleasure and exhilaration of literature, rather than to provide a bare outline of schools and periods of writing. At the heart of the volume towers the figure of Shakespeare, who has a special chapter devoted entirely to himself. The volume also offer detailed treatments of...
Telling Complexions
In Telling Complexions Mary Ann O'Farrell explores the frequent use of "the blush" in Victorian novels as a sign of characters' inner emotions and desires. Through lively and textured readings of works by such writers as Jane Austen, Elizabeth Gaskell, Charles Dickens, and Henry James, O'Farrell illuminates literature's relation to the body and the body's place in culture. In the process, she plots a trajectory for the nineteenth-century novel's shift from the practices of manners to the mode of self-consciousness. Although the blush was used to tell the truth of character and body, O'Farrell shows how it is actually undermined as a stable indicator of character in novels such as Pride and P...
Shakespeare on Masculinity
Reviews Shakespeare's view of masculinity through The Tempest, Hamlet, Othello, Macbeth and others.
Beckett's Critical Complicity
Samuel Beckett's work harbors an inevitable complicity with traditional modes and values. His idealist and even nihilist inclinations, for example, are closely related to the abstracting and systematizing tendencies that have predominated in Western thinking. His drama and fiction, in reproducing these tendencies, also help to reinforce and legitimate them. Beckett's work can thus be said to encourage an attitude of stoic resignation or life-denying withdrawal. Sylvie Debevec Henning's study reveals an important countertendency. In examining Beckett's art and literary criticism, his novel Murphy, plays Krapp's Last Tape and Endgame, his only film venture, and the late story "The Lost Ones," ...
Financing Higher Education
Nicholas Barr is the main expert in the funding of higher education in Britain, and has been active both in commentating on the process and in its implementation.
