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Christianity is the world’s most populous religion, with some two billion adherents. As a world religion, Christianity has flourished because it is capable of taking on new forms in new contexts. To understand both the religion’s history and its present state, Mary Gerhart and Fabian Udoh gather original texts—from early Christian writings to contemporary documents on church-related issues—in The Christianity Reader. The most comprehensive anthology of Christian texts ever in English, this is a landmark sourcebook for the study of Christianity’s historical diversity. With newly edited, annotated, and translated primary texts, along with supplemental analytical essays, the volume al...
A new interest in the study of early modern ritual, ceremony, formations of personal and collective identities, social roles, and the production of meaning inside and outside the arts have made it possible to talk today about a performative turn in the humanities. In Performativity and Performance in Baroque Rome, scholars from different fields of research explore performative aspects of Baroque culture. With examples from the politics of diplomacy and everyday life, from theatre, music and ritual as well as from architecture, painting and sculpture the contributors demonstrate how broadly the concept of performativity has been adopted within different disciplines.
In this seminal treatise, Peter J. Leithart argues that the coming of the New Creation in Jesus Christ has profound and revolutionary implications for social order, implications symbolized and effected in the ritual of baptism. In Christ and Christian baptism, the ancient distinctions between priest and non-priest, between patrician and plebian, are dissolved, giving rise to a new humanity in which there is no Jew nor Greek, slave nor free, male nor female. Yet, beginning in the medieval period, the church has blunted the revolutionary force of baptism, and reintroduced antique distinctions whose destruction was announced by the gospel. Leithart calls the church to renew her commitment to the gospel that offers "priesthood to the plebs."
""Modern theology needs the rediscovery of the category of consolation. This book is rich of consolations because it takes the cry of lament seriously."" --Jurgen Moltmann ""A timely, accessible, and valuable book. The recovery of the biblical traditions of loss and hurt is intrinsically worth doing, more worth doing in an increasingly disestablished society."" --Walter Brueggemann, Columbia Theological Seminary, Emeritus ""This cross-disciplinary collaboration is . . . poignant and compelling testimony to the personal and communal power of lament and its importance to the practice of ministry. This book is the one that I have been waiting for."" --Christie Cozad Neuger, Brite Divinity Schoo...
The church's development and use of sacraments has evolved in many ways from the days of the early church to the present. This sourcebook provides key theological texts that played a role in those movements. Johnson traces the history and theology of individual sacraments along with their liturgical context in the church's worship. He includes materials previously developed in James F. White's classic collection, Documents of Christian Worship: Descriptive and Interpretive Sources (Westminster John Knox Press, 1992), and supplements these to provide a wide range of indispensible materials. He also contributes helpful background notes to give the reader the full breadth and depth of the church's thought on these important topics. This book will be of great value to those studying the history of Christian worship and the development of the sacraments.
Taking the prologue of John's Gospel as a case-study in feminist biblical criticism, the author engages with a persistent view that the biblical text is seriously compromised by its association with patriarchal values. Close analysis of five interpretations by Augustine, Hildegard von Bingen, Martin Luther, Adrienne von Speyr and Rudolf Bultmann shows how, unavoidably, interpretation clothes the biblical text with the varied and dazzling patterns of the patriarchal reading context. But in a second turn, drawing on the techniques of both structuralist criticism and deconstruction, and offering three further inventive readings of this powerful passage, Jasper reflects woman and the feminine in the shining garment of her own contextualized reading.
Exploring the boundaries between poetry and history on three of England's epic literary works, Galbraith argues that they enter into a dialogue with classical and contemporary predecessors with implications for understanding the English Renaissance.
A “captivating” (The Washington Post) true story of “courage, resolve, and determination” (Christian Science Monitor), author Ralph White’s successful effort to save nearly the entire staff of the Saigon branch of Chase Manhattan bank and their families before the city fell to the North Vietnamese Army. In April 1975, Ralph White was asked by his boss to transfer from the Bangkok branch of the Chase Manhattan Bank to the Saigon Branch. He was tasked with closing the branch if and when it appeared that Saigon would fall to the North Vietnamese army and ensure the safety of the senior Vietnamese employees. But when he arrived, he realized the situation in Saigon was far more perilous...