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The thematic exhibition 'Walking Through Walls' presents a contemporary panorama of the artistic responses made to the detrimental effects of human-made barriers, divisions and walls, showcasing works by Jose Dávila, Mona Hatoum, Nadia Kaabi-Linke, Christian Odzuck, Anri Sala, Regina Silveira, alongside many others. Acknowledging the location of the Gropius Bau alongside the former Berlin Wall, the exhibition offers a global perspective on the physical and psychological repercussions of coexisting in divided societies. On the occasion of the 30th anniversary of the fall of the Wall, the exhibition is a timely exploration of how barriers can articulate feelings of vulnerability and anxiety, and represent individual and collective identities.0Artists: Jose Dávila, Mona Hatoum, Nadia Kaabi-Linke, Christian Odzuck, Anri Sala, Regina Silveira and others.00Exhibition: Gropius Bau, Berlin, Germany (12.09.2019-19.01.2020)
This guide to one of Europe's most exciting cities allows you to discover the most authentic local haunts, the facts behind the historic facades, and the best in culture and entertainment. With chapters on nightlife, museums, city sights, and the suburbs, as well as sections on Berlin's fascinating history, Berlin Unwrapped is a must for anyone who wants to savor the true essence of the German capital, offering a wealth of insider tips, both on and off the tourist track. Penny Croucher lived in Berlin for many years, working as a journalist, and developed a lasting passion for the city.
"The Bauhaus--founded in Weimar in 1919, located in Dessau beginning in 1925, and ultimately shut down in 1933 shortly after relocating in Berlin--continues to be the most effective and successful export article of twentieth-century German culture. Even more than seventy years after it was closed, this interdisciplinary school for art, architecture, design, and theater has not lost any of its currentness. On the occasion of the ninetieth anniversary of the founding of the Bauhaus, this profusely illustrated, comprehensive publication with over three hundred illustrations reexamines and reevaluates the art school's history and influence. In this collaborative project by the three leading institutes at the former sites of the Bauhaus's activities--the Bauhaus-Archiv Berlin, the Stiftung Bauhaus Dessau, and the Bauhaus-Museum of the Klassik Stiftung Weimar--the historic Bauhaus and the trail of its reception are closely examined and analyzed based on sixty-eight selected highlights, including the hitherto neglected aspects of the Bauhaus during the period of National Socialism as well as its international propagation and commercialization."--English trade ed. book jacket.
"This volume is published for the occasion of the Getty's citywide grant initiative Pacific Standard Time: Art in Los Angeles 1945-1980 and accompanies the exhibition Pacific Standard Time: Crosscurrents in L.A. Painting and Sculpture 1950- 1970, held at the J. Paul Getty Museum, Los Angeles."
This publication emerges from Uriel Orlow's Theatrum Botanicum (2015-18), a multi-faceted project encompassing film, sound, photography, and installation, which looks to the botanical world as a stage for politics. Working from the dual vantage points of South Africa and Europe, the project considers plants as both witnesses to, and dynamic agents in, history. It links nature and humans, rural and cosmopolitan medicine, tradition and modernity across different geographies, histories, and systems of knowledge--exploring the variety of curative, spiritual, and economic powers of plants. The project addresses "botanical nationalism" and "flower diplomacy" during apartheid; plant migration; the ...
Begleitband zur weltweit grössten Einzelausstellung des politischen Konzeptkünstlers Ai Weiwei in Berlin. Der eindrucksvolle und bestens bebilderte Band behandelt unter anderem die Ai Weiweis ästhetischen Widerstand, seinen Umgang mit der Tradition und seinen Blick auf die europäische Moderne.
"In 1929, ten years after the Bauhaus was founded, Berlin's Martin-Gropius-Bau launched the exhibition 'New Typography.' László Moholy-Nagy, who had left Dessau the previous year and had earned a reputation as a designer in Berlin, was invited to exhibit his work together with other artists. He designed a room--entitled 'Wohin geht die typografische Entwicklung?' ('Where is typography headed?')--where he presented 78 wall charts illustrating the development of the 'New Typography' since the turn of the century and extrapolating its possible future. To create these charts, he not only used his own designs, but also included advertising prints by colleagues associated with the Bauhaus. The f...
"What determines the significance of a work of art? Doe it abide eternally within the work? Or is it continually constructed and reconstructed from the outside, through the work's presentation? The historical shift from autonomous modernist object to postmodernist critique of institutions, from artwork to discursive context, is the subject of Douglas Crimp's essays and Louise Lawler's photographs in On the Museum's Ruins. Taking the museum as paradigmatic institution of artistic modernism, Crimp surveys its historical origins and current transformations. The new paradigm of postmodernism is elaborated through analyses of art practices broadly conceived--not only the practices of artists but also those of critics and curators, of international exhibitions, and of new or refurbished museums."--back cover.
The passionate life and work of the Mexican artist, comprehensively presented for the first time in paintings and photographs. Private photographs form among the possessions of her family and close friends afford the reader of this book some rare and unusual insights into Frida Kahlo's life and times. --Book Jacket.
Examining increasingly fluid notions of masculinity over the past six decades, this book offers a culturally diverse collection of work from some of the world's most celebrated photographers. This photographic exploration draws together the work of approximately fifty artists of different ethnicities, generations, and gender identities to look at how ideas of masculinity have evolved since the 1960s. Each of its six themed chapters features bold and arresting work by artists such as Richard Avedon, John Coplans, Robert Mapplethorpe, Herb Ritts, Collier Schorr, Larry Sultan, Wolfgang Tillmans, and David Wojnarowicz, who are all renowned for their depictions of masculinity and its tropes. Othe...