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“A truthful look at John Candy—affectionate but unblinking.” —San Francisco Examiner Funny and gentle, John Candy was loved by millions of movie fans for playing true-to-life characters. Whether as the irrepressible bon vivant in Splash, the misunderstood slob in Uncle Buck, or the generous lonely salesman in Planes, Trains, and Automobiles, John Candy struck a perfect balance between self-deprecating humor and irresistible, emotional warmth. In this compassionate portrait of John Candy, award-winning journalist Martin Knelman reveals that behind the scenes, beneath the booming laughter, a man blessed by genius and goodness of heart was ultimately and sadly undermined by self-doubt and misguided ambition. “Laughing on the Outside celebrates the genius of John Candy.” —Vanity Fair “Candy’s is ultimately a sad story, one that Knelman has made sympathetic and memorable, too.” —Booklist “This book is a must for Candy’s fans and an ought-to for everyone else.” —Toronto Globe and Mail “Everyone knew the happy-go-lucky comic, but Knelman shows us the sad clown underneath, which ultimately enriches the image.” —Toronto Star
Joker, slapstick funnyman and wild card, Jim Carrey is renowned for hisalent as a comedy actor and his startling array of wacky facial expressions.n recent years, however, he has received much praise for roles more dramatichan comic.;This biography charts the story of Jim Carrey's dream to makeeople laugh: from his humble beginnings as a factory cleaner, via hisomantic involvement with many beauitiful women, to his slot as anmpressionist in comedy clubs and finally on to Hollywood success.
A biography of the comic actor who became popular on "Saturday Night Live" and went on to star in such movies as "Wayne's Word" and "Austin Powers: International Man of Mystery.
What kind of a country is Canada beyond Quebec? With a referendum on Quebec sovereignty looming on the horizon, this is a question Canadians are being forced to ask. In Beyond Quebec scholars from a wide variety of disciplines examine the current political, cultural, economic, and social situation of Canada outside Quebec and speculate on the nature of a Canada that does not include Quebec on the present terms.
Front cover -- Copyright -- Contents -- Foreword -- Prologue -- 1 The Boy in His Own Company -- 2 Colonizing a Wilderness -- 3 Making a Name in London -- 4 Man's Favorite Sport -- 5 Through a Glass Refracted -- 6 Professional Winners and Professional Losers -- 7 Idol Worship in Jazz -- PHOTOGRAPHS -- 8 Sid & Carole & Clark & Sheila -- 9 Cast Iron Jacket -- 10 Cool Sounds from Hell -- 11 Matinee Buster -- 12 Housemaster -- Epilogue -- Acknowledgments -- Appendix A -- Appendix B -- Filmography -- Notes -- Bibliography -- Index.
Claude Jutra, best known as the director of Mon oncle Antoine, has been widely acclaimed as one of Canada's premier filmmakers. Despite this, there has been surprisingly little critical writing about his work and the context in which it was created and viewed. Jutra was a Quebec nationalist, and both he and his films were shaped by the changes in Quebec society during the Quiet Revolution and by the political tensions of the sixties and seventies. Though he died in 1986, his films still have much to tell us about Canadian cinema and the ongoing debates on Canadian and Quebec nationhood. Book jacket.
This acknowledgement of their dramatic origins has often led to criticism that these movies remain too rigidly anchored to the stage; too "stage-bound." Stage-Bound, the first extensive study of feature film adaptations of English Canadian and Québécois drama, challenges this reductive interpretation. André Loiselle demonstrates that theatricality is central to the meaning of these works. In the process, he reclaims these stage-bound films, which have generally been ignored by scholars.
Examines the life and work of architect Frank Gehry, discussing his childhood, influences, buildings, and awards.
Born in 1934, Peter Gzowski covered most of the last half of the century as a journalist and interviewer. This biography, the most comprehensive and definitive yet published, is also a portrait of Canada during those decades, beginning with Gzowski's days at the University of Toronto's The Varsity in the mid 1950s, through his years as the youngest-ever managing editor of Maclean's in the 1960s and his tremendous success on CBC's Morningside in the 1980s and 1990s, and ending with his stint as a Globe and Mail columnist at the dawn of the 21st century and his death in January 2002. Gzowski saw eight Canadian Prime Ministers in office, most of whom he interviewed, and witnessed everything from the Quiet Revolution in Québec to the growth of economic nationalism in Canada's West. From the rise of state medicine to the decline of the patriarchy, Peter was there to comment, to resist, and to participate. Here was a man who was proud to call himself Canadian and who made millions of other Canadians realize that Canada was, in what he claimed was a Canadian expression, not a bad place to live.
Some of the most raucous evenings in the history of theater are chronicled in this lively discussion of occasions when theater-makers changed the course of theatrical, and sometimes world, history. Covering a wide range of events from the inauspicious opening of Oedipus Rexin Athens, to the assassination of Abraham Lincoln in Washington, D.C., to the violence-riddled performance of Halla Bol in New Delhi, this book offers detailed and studied observations of specific minutes, hours, and days on the stage. For each staging covered, the author examines the reactions of critics and the public and tells the inside story, identifies the key players, and examines why these events still resound today.