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This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.
The Fundamental Issues Involved Why do we need a theory of uncertainty? It is a fact that almost all man's economic decisions are made under conditions of uncertainty, but this fact alone does not provide a strong enough argument for making the effort necessary to generalize ordinary preference theory designed for a world of perfect certainty. In accordance with Occam's Razor, the mathematician may well welcome a generalization of assumptions even if it does not promise more than a restatement of known results. The economist, however, will only be well disposed towards making the effort if he can expect to achieve new insights and interesting results, for he is interested in the techniques n...
Influenced by a revival of interest in Greco-Roman ideals and sponsored by a newly prosperous merchant class, fifteenth-century artists produced works of astonishingly innovative content and technique. The International Gothic style of painting, still popular at the beginning of the century, was giving way to the influence of Early Netherlandish Flemish masters such as Jan van Eyck, who emphasized narrative and the complex use of light for symbolic meaning. Patrons favored paintings in oil and on wooden panels for works ranging from large, hinged altarpieces to small, increasingly lifelike portraits. In the Italian city-states of Florence, Venice, and Mantua, artists and architects alike per...
A detail examination of the craftsmanship and lives of German woodcarvers from 1475 to 1525 discusses their artistic styles, techniques of carving, and place in society.
This text offers a collective exploration of aspects of cross-border and transnational interaction in the Holy Roman Empire.
"The color photographs, specially commissioned for this project, are an essential feature of the book. Each altarpiece is illustrated in its entirety, with its wings both opened and closed, and in close-up views of its most important carvings and paintings - details that are not available to the average visitor to these sites."--BOOK JACKET.
The Grove Encyclopedia of Northern Renaissance Art provides unparalleled scope and depth in a field that has inspired and informed Western art for centuries. Drawing on the unsurpassed scholarship on the Renaissance in Northern Europe in The Dictionary of Art, the Encyclopedia deals with all aspects of Northern Renaissance art ranging from artists, architecture, and patrons to the cities and centers of production vital to the flourishing of art in this period. It offers fully updated articles and bibliography as well as more than 500 illustrations, maps, drawings, diagrams, and color plates. Comprehensive and engaging, this resource is an essential and accessible reference for students, researchers, and scholars researching in this important area.
Online ed. provides access to the entire 45,000-plus articles of Grove's Dictionary of art (1996, 34 vols.) with constant additions of new material and updates to the text, plus extensive image links.
Four volumes cover the history of sculpture from earliest times to the 20th century.