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Graecia atque Insulae
Preliminary material -- ATTICA -- EUBOEA -- BOEOTIA -- PHOCIS -- AETOLIA -- AENIANIA -- THESSALIA -- EPIRUS -- MEGARIS -- ARGOLIS -- ACHAIA -- ELlS -- ARCADIA -- MESSENIA -- LACONIA -- MONUMENTA IN GRAECIA LOCIS IGNOTIS REPERTA -- CORCYRA -- ITHACA -- ZACYNTHUS -- AEGINA -- THASUS -- SAMOTHRACE -- IMBRUS -- HALONNESUS -- LESBUS -- CHIUS -- SAMUS -- ANDRUS -- TENUS -- CEOS -- CYTHNUS -- RHENEA -- DELUS -- PARUS -- AMORGUS -- HERACLEA -- MELUS -- THERA -- CRETA -- CALYMNA -- COS -- CNIDUS -- RHODUS -- CYPRUS -- MONUMENTA IN ALIQUA INSULA REPERTA -- GENERAL INDEX -- EPIGRAPHICAL INDEX -- NAMES OF PERSONS -- ADMINISTRATIVE AND MILITARY GRADES AND FUNCTIONS -- RELIGIOUS GRADES AND FUNCTIONS -- CHRONOLOGICAL LIST -- INDEX OF THE CORRESPONDING INSCRIPTIONS -- ACKNOWLEDGEMENTS OF THE PLATES -- PLATE.
Synagogues in the Hellenistic and Roman Periods
The study of ancient Judaism has enjoyed a steep rise in interest and publications in recent decades, although the focus has often been on the ideas and beliefs represented in ancient Jewish texts rather than on the daily lives and the material culture of Jews/Judaeans and their communities. The nascent institution of the synagogue formed an increasingly important venue for communal gathering and daily or weekly practice. This collection of essays brings together a broad spectrum of new archaeological and textual data with various emergent theories and interpretative methods in order to address the need to understand the place of the synagogue in the daily and weekly procedures, community frameworks, and theological structures in which Judaeans, Galileans, and Jewish people in the Diaspora lived and gathered. The interdisciplinary studies will be of great significance for anyone studying ancient Jewish belief, practice, and community formation.
A Different God?
Within modern frameworks of knowledge and representation, Dionysos often appears to be atypical for ancient culture, an exception within the context of ancient polytheism, or even an instance of a difference that anticipates modernism. How can recent research contribute to a more precise understanding of the diverse transformations of the ancient god, from Greek antiquity to the Roman Empire? In this volume, which is the result of an international conference held in March 2009 at the Pergamon Museum Berlin, scholars from all branches of classical studies, including history of scholarship, consider this question. Consequently, this leads to a new look on vase paintings, sanctuaries, rituals and religious-political institutions like theatre, and includes new readings of the texts of ancient poets, historians and philosophers, as well as of papyri and inscriptions. It is the diversity of sources or methods and the challenge of former views that is the strength of this volume, providing a comprehensive, innovative and richly faceted account of the “different” god in an unprecedented way.
Lots of stories
An ethnopoetic study of Maritime narratives collected by Helen Creighton. In addition to the presentation of the original texts, brief descriptions of the storytellers are offered and the context in which the stories were told leads to a consideration of the art of storytelling in this region.
Painting in Stone
A sweeping history of premodern architecture told through the material of stone Spanning almost five millennia, Painting in Stone tells a new history of premodern architecture through the material of precious stone. Lavishly illustrated examples include the synthetic gems used to simulate Sumerian and Egyptian heavens; the marble temples and mansions of Greece and Rome; the painted palaces and polychrome marble chapels of early modern Italy; and the multimedia revival in 19th-century England. Poetry, the lens for understanding costly marbles as an artistic medium, summoned a spectrum of imaginative associations and responses, from princes and patriarchs to the populace. Three salient themes sustained this “lithic imagination”: marbles as images of their own elemental substance according to premodern concepts of matter and geology; the perceived indwelling of astral light in earthly stones; and the enduring belief that colored marbles exhibited a form of natural—or divine—painting, thanks to their vivacious veining, rainbow palette, and chance images.
Hellenistic Architectural Sculpture
She finds that figural sculptures adorn structures at every level from the ground to the roof, and display a wide variety of motifs on such architectural elements as columns, walls, entablatures, pediments, and cornices. 142 illustrations of Hellenistic monuments - temples, altars, cult buildings, heroa, theaters, bouleuteria, stoas, gymnasia, and houses - and their sculptured adornment complement the author's descriptions and analyses.
Judaism
In this now-classic work, E. P. Sanders argues against prevailing views regarding the Judaism of the Second Temple period, for example, that the Pharisees dominated Jewish Palestine or that the Mishnah offers a description of general practice. In contrast, Sanders carefully shows that what was important was the "common Judaism" of the people with their observances of regular practices and the beliefs that informed them. Sanders discusses early rabbinic legal material not as rules, but as debates within the context of real life. He sets Pharisees, Sadducees, and Essenes in relation to the Judaism of ordinary priests and people. Here then is a remarkably comprehensive presentation of Judaism as a functioning religion: the temple and its routine and festivals; questions of purity, sacrifices, tithes, and taxes; common theology and hopes for the future; and descriptions of the various parties and groups culminating in an examination of the question "who ran what?" Sanders offers a detailed, clear, and well-argued account of all aspects of Jewish religion of the time.
The Colossus of Rhodes
The Colossus of Rhodes is both the most famous and the least well-known monument of Ancient Greece. Numbered among the Seven Wonders of the World, this bronze statue of the god Helios, thirty-four metres in height, was created by the sculptor Chares of Lindos between the years 295 and 283 BC, only to be destroyed by an earthquake in 227 BC. The legends that have spread after its collapse seem so strange and contradictory that, from an archaeological point of view, it has become a minor and almost neglected object, which specialists in Greek sculpture barely mention in their work. In The Colossus of Rhodes, the first comprehensive examination of the Colossus, Nathan Badoud mobilises a large a...
The Lower Canada Jurist
"A view of the civil government and administration of justice in the province of Canada while it was subject to the crown of France," by William Hey: 48 p. at end of v. 1.
Belonging and Isolation in the Hellenistic World
The Hellenistic period was a time of unprecedented cultural exchange. In the wake of Alexander's conquests, Greeks and Macedonians began to encounter new peoples, new ideas, and new ways of life; consequently, this era is generally considered to have been one of unmatched cosmopolitanism. For many individuals, however, the broadening of horizons brought with it an identity crisis and a sense of being adrift in a world that had undergone a radical structural change. Belonging and Isolation in the Hellenistic World presents essays by leading international scholars who consider how the cosmopolitanism of the Hellenistic age also brought about tensions between individuals and communities, and between the small local community and the mega-community of oikoumene, or 'the inhabited earth.' With a range of social, artistic, economic, political, and literary perspectives, the contributors provide a lively exploration of the tensions and opportunities of life in the Hellenistic Mediterranean.
