You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
In Pascal's God and the Fragments of the World, Martin Nemoianu offers a new interpretation of the thought of Blaise Pascal, drawn from the Pensées and beyond. The book takes Pascal's central theme to be the distinction - Infini rien - between the transcendent God and the created world, which, without God, would be nothing. Nemoianu identifies the distinction in Pascal, articulates it, and works through the difficulties attending the distinction's disclosure. He then considers the implications of the distinction for the nature of nature and the nature of the human being, culminating in the ideal of martyrdom. The book closes with treatment of a closely related theme: the relation between human freedom and divine grace, in the context of the vexed question of Pascal's Jansenism.
This book provides an overview of some of the most important critics of “Enlightenment rationalism.” The subjects of the volume (including, among others, Pascal, Vico, Schmitt, Weber, Anscombe, Scruton, and Tolkien) do not share a philosophical tradition as much as a skeptical disposition toward the notion, common among modern thinkers, that there is only one standard of rationality or reasonableness, and that that one standard is or ought to be taken from the presuppositions, methods, and logic of the natural sciences. The essays on each thinker are intended not merely to offer a commentary on that thinker, but also to place the person in the context of this larger stream of anti-rationalist thought.
Blaise Pascal on Duplicity, Sin, and the Fall: The Secret Instinct is the first book on Pascal's theology to appear in English in more than 40 years. It is about Pascal's understanding of the cognitive consequences of the Fall. According to Pascal, human beings have an innate aversion to the truth that is also, at the same time, an aversion to God. We are born into a duplicitous world that shapes us into duplicitous agents, and so we find it easy toreject God continually and deceive ourselves about our own sinfulness. This book offers more than just a novel interpretation of Pascal's main text, the Pensées. It also shows that Pascal is a long-neglectedresource for constructive theology and that 'Pascalian' theology is both possible and fruitful.
Nineteenth-Century British Secularism offers a new paradigm for understanding secularization in the nineteenth century. It addresses the crisis in the secularization thesis by foregrounding a nineteenth-century development called 'Secularism' – the particular movement and creed founded by George Jacob Holyoake from 1851 to 1852. Nineteenth-Century British Secularism rethinks and reevaluates the significance of Holyoake's Secularism, regarding it as a historic moment of modernity and granting it centrality as both a herald and exemplar for a new understanding of modern secularity. In addition to Secularism proper, the book treats several other moments of secular emergence in the nineteenth century, including Thomas Carlyle's 'natural supernaturalism', Richard Carlile's anti-theist science advocacy, Charles Lyell's uniformity principle in geology, Francis Newman's naturalized religion or 'primitive Christianity', and George Eliot's secularism and post-secularism.
None
Today, we find ourselves surrounded by numerous reasons to despair, from loneliness, suffering and death at an individual level to societal alienation, oppression, sectarian conflict and war. No honest assessment of life can take place without facing up to these facts and it is not surprising that more and more people are beginning to suspect that the human story will end in tragedy. However, this focus on despair does not paint a complete and accurate picture of reality, which is also inflected with beauty and goodness. Working with examples from poetry and literature, including Virginia Woolf and Jack Gilbert and the films of Terrence Malick, Melancholic Joy offers an honest assessment of the human condition. It unflinchingly acknowledges the everyday frustrations and extraordinary horrors that generate despair and argues that the appropriate response is to take up joy again, not in an attempt to ignore or dismiss evil, but rather as part of a “melancholic joy” that accepts the mystery of a world both beautiful and brutal.
Philosophy and Blade Runner explores philosophical issues in the film Blade Runner , including human nature, personhood, identity, consciousness, free will, morality, God, death, and the meaning of life. The result is a novel analysis of the greatest science fiction film of all time and a unique contribution to the philosophy of film.
The new edition of this essential resource contains thousands of edited listings for university and college philosophy programs, research centers, professional organizations, academic journals, and philosophy publishers in both countries. It also includes contact information for over 15,000 philosophers in the U.S. and Canada, and a brief statistical overview of the field.