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The Mystery Fancier
A bibliography of various mystery novels published between November 1976 and Fall 1992.
The Biba Years
Founded as a boutique mail-order service in 1963, Biba--the brainchild of designer Barbara Hulanicki--quickly gained cult status, and outgrew several London premises before landing at 99-117 Kensington High Street in 1973 as "Big Biba, the most beautiful store in the world." This book tells the story of the Biba years, from the first ensembles through the four London shops, to the eventual flourishing of a lifestyle brand that revolutionized British retail and fashion culture.
Gluck
Hannah Gluckstein (who called herself Gluck; 1895–1976) was a distinctive, original voice in the early evolution of modern art in Britain. This handsome book presents a major reassessment of Gluck's life and work, examining, among other things, the artist's numerous personal relationships and contemporary notions of gender and social history. Gluck's paintings comprise a full range of artistic genres—still life, landscape, portraiture—as well as images of popular entertainers. Financially independent and somewhat freed from social convention, Gluck highlighted her sexual identity, cutting her hair short and dressing as a man, and the artist is known for a powerful series of self-portraits that played with conventions of masculinity and femininity. Richly illustrated, this volume is a timely and significant contribution to gender studies and to the understanding of a complex and important modern painter.
The Mystery Fancier (Vol. 9 No. 5) September-October 1987
"The Mystery Fancier," Volume 9 Number 4 (September-October, 1987) contains: "A. E. Martin's Pell Pelham, Spruiker Detective," by William F. Deeck; "P. G. Wodehouse as Reader of Crime Stories," by W. A. S. Sarjeant; "Peter Rabe's Daniel Port," by George Tuttle; and "Mystery Mosts," by Jeff Banks.
Sequels
A guide to series fiction lists popular series, identifies novels by character, and offers guidance on the order in which to read unnumbered series.
British Women Artists
Consider for a moment the history of modern art in Britain; you may struggle to land on a narrative that features very many women. On this journey through a fascinating period of social change, artist Carolyn Trant fills in some of the gaps in traditional art histories. Introducing the lives and works of a rich network of neglected women artists, British Women Artists sets these alongside such renowned presences as Barbara Hepworth, Laura Knight and Winifred Nicholson. In an era of radical activism and great social and political change, women forged new relationships with art and its institutions. Such change was not without its challenges, and with acerbic wit Trant delves into the gendered make-up of the avant-garde, and the tyranny of artistic isms. In the decades after women won the vote in Britain, the fortunes of women artists were shaped by war, domesticity, continued oppressions and spirited resistance. Some succeeded in forging creative careers; others were thwarted by the odds stacked against them. Weaving devastating individual stories with playful critique, British Women Artists reveals this hidden history.
Yesterday
A sweeping reassessment of our longing for the past, from the rise of “retro” to the rhetoric of Brexit and Trump. Nostalgia has a bad reputation. Its critics dismiss it as mere sentimentality or, worse, a dangerous yearning for an imagined age of purity. And nostalgia is routinely blamed for trivializing the past and obscuring its ugly sides. In Yesterday, Tobias Becker offers a more nuanced and sympathetic view. Surveying the successive waves of nostalgia that swept the United States and Europe after the Second World War, he shows that longing for the past is more complex and sometimes more beneficial than it seems. The current meaning of “nostalgia” is surprisingly recent: until t...
Jet
The weekly source of African American political and entertainment news.
Jet
The weekly source of African American political and entertainment news.
