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"This book is, like Martin's column, a collection of tales from Britain's financial front line with the fun bits left in. A romp through the city, its characters and their foibles, then into Yorkshire, with occasional diversions to violin competitions in Kazakhstan, the cuisine of the Dordogne and the lagoons of Bora Bora. The world of business is mad, sometimes bad and always thrillingly unpredictable - but, as Spectator readers know, there is no better guide"--Page ix.
"Timely, thoughtful and witty" – Merryn Somerset Webb From the Industrial Revolution to the internet, capitalism has been a great engine of human progress. But now it stands accused of allowing the greedy few to run riot over the rest of society, exploiting workers and suppliers and recklessly damaging the planet in pursuit of profit. Where did these accusations come from – and are they true? In this lively critique, Spectator business editor Martin Vander Weyer argues that capitalism has indeed lost its moral compass, has lost public trust and is in urgent need of repair. But this is no far-left analysis seeking to champion a thinly veiled Marxist platform. Written from the point of vie...
In November 1998, Barclays chief executive Martin Taylor walked out of his job. Widely regarded as one of Britain's most talented businessmen, Taylor had reached the end of his tether after a series of trading disasters and boardroom clashes and together with discredited chairman Andrew Bruxton, had lost the confidence of many colleagues. What had brought this once-great British institution to the brink? The story of the decline of Barclays is rich in personality, intrigue and social nuance. It reflects all the elements of change in Britain over the past twenty years; the competitive forces of the Thatcher years and the greed that came with them, the ravages of the early-nineties recession, ...
Gerard Lee Bevan was the model of an Edwardian swell - arrogant, smooth, well-connected and highly cultured. He married money and influence - his wife Sophie Kenrick was a cousin of the future prime minister Neville Chamberlain - and over the years he kept a string of showgirl mistresses. But his was a success built on fraud and deception, and ......
The super-rich are silently and secretly shaping our world. In this groundbreaking exploration of historical and contemporary philanthropy, bestselling author Paul Vallelyreveals how this far-reaching change came about. Vivid with anecdote and scholarly insight, this magisterial survey – from the ancient Greeks to today's high-tech geeks – provides an original take on the history of philanthropy. It shows how giving has, variously, been a matter of honour, altruism, religious injunction, political control, moral activism, enlightened self-interest, public good, personal fulfilment and plutocratic manipulation. Its narrative moves from the Greek man of honour and Roman patron, via the Jew...
A timely and fascinating look at massive historical change across two millennia, from the Christianization of the Roman Empire to today's new economy. Disruption examines how fringe intellectual movements can change powerful institutions, and why those institutions are vulnerable to big changes.
The story of how humiliation has been used as a means of coercion and control in the modern age - from the shaving of the heads of alleged women collaborators in occupied France to the social media pillorying of the 21st century.
Introduces the reader to a host of philosophical topics found in sport, exploring the place of sport in our lives.
A groundbreaking and extensively researched account of the 1960s London art scene In the 1960s, London became a vibrant hub of artistic production. Postwar reconstruction, jet air travel, television arts programs, new color supplements, a generation of young artists, dealers, and curators, the influx of international film companies, the projection of “creative Britain” as a national brand—all nurtured and promoted the emergence of London as “a new capital of art.” Extensively illustrated and researched, this book offers an unprecedented, rich account of the social field that constituted the lively London scene of the 1960s. In clear, fluent prose, Tickner presents an innovative sequence of critical case studies, each of which explores a particular institution or event in the cultural life of London between 1962 and 1968. The result is a kaleidoscopic view of an exuberant decade in the history of British art.
The energy transition has begun. To succeed - to replace fossil fuels with wind and solar power - that process must be fair. Otherwise, mounting popular protest against wind farms will prolong carbon pollution and deepen the climate crisis. David Hughes examines that anti-industrial, anti-corporate resistance, drawing insights from a Spanish village surrounded by turbines. In the lives of these neighbours - freighted with centuries of exploitation - clean power and social justice fit together only awkwardly. Proposals for a green economy, the Green New Deal, or Europe's Green Deal require more effort. We must rethink aesthetics, livelihood, property, and, most essentially, the private nature of wind resources. Ultimately, the energy transition will be public and just, or it may not be at all