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Originally published in 1972, A Literary History of Iowa, which features writers published in book form between 1856 and the late 1960s, returns to print. One of Iowa's native sons, Ellis Parker Butler, once said that in Iowa 12 dollars were spent for fertilizer each time a dollar was spent for literature. Many readers will be surprised to learn from this book the extent of Iowa's distinguished literary past---the many prizes and praise received by her authors. To those already familiar with Iowa's credits, A Literary History of Iowa will be a nostalgic and informative delight. During the 1920s and 1930s, Iowa had good claim to recognition as the literary capital of the country. Clarence And...
Despite the vigorous study of modern American fiction, today's readers are only familiar with a partial shelf of a vast library. Gordon Hutner describes the distorted, canonized history of the twentieth-century American novel as a record of modern classics insufficiently appreciated in their day but recuperated by scholars in order to shape the grand tradition of Hemingway, Fitzgerald, and Faulkner. In presenting literary history this way, Hutner argues, scholars have forgotten a rich treasury of realist novels that recount the story of the American middle-class's confrontation with modernity. Reading these novels now offers an extraordinary opportunity to witness debates about what kind of nation America would become and what place its newly dominant middle class would have--and, Hutner suggests, should also lead us to wonder how our own contemporary novels will be remembered.
In the summer of 1964, three forces converged at the Democratic National Convention in Atlantic City, New Jersey, each with the potential to shake the moorings of traditional democracy: the all-white segregationist delegation from Mississippi, a mostly black delegation determined to unseat the segregationists, and President Lyndon Johnson, who had signed the civil rights bill but wanted to avoid trouble that could jeopardize his chances of carrying the South in the November election. These groups struggled to reach a "compromise" that in the end epitomized sheer political power and its consequences. By examining the motivations of those involved, this work explores how American politics and the civil rights movement clashed at the convention, how the federal government felt compelled to spy on its own people for purely political purposes, and how this interlude changed the political landscape for generations.
On stage from her childhood, Martha Raye (1916-1994) proudly embraced the role of the clown, her gift for slapstick comedy enhanced by a fine singing voice. She became a star with her first feature film, Rhythm on the Range (1936), as the zany, loudmouthed girl looking for love--or chasing it as it ran away. She won popular and critical acclaim with The Martha Raye Show (1954-1956) before it was abruptly cancelled, partly because of her chaotic personal life. Drawing on new interviews with her colleagues, this retrospective covers the life and career of an enduringly funny lady who influenced a generation of women comedians. Her reign as a top NBC star of the 1950s is covered, along with her appearances on popular variety shows, her roles in fondly remembered series like The Bugaloos, McMillan and Alice, and her film career that teamed her with the likes of Jack Benny, Charlie Chaplin and Doris Day.
"There's too much nature in that ballpark"--Harry Chiti And make no mistake, whether it's the wind full-tilt off Lake Michigan, an early-season snowstorm at Waveland and Sheffield, or spring ivy hiding the batted balls of the visiting nine, nature seems to have Wrigley Field and the Cubbies under its thumb. In this book, John Skipper talks with 35 former Chicago Cubs who relive their ball-playing days and speculate on the eternally middling and undeniably popular Northsiders. This troop of now-grizzled bears, including Claude Passeau, Hank Wyse, Alvin Dark, Don Kessinger, Joe Niekro, Pete LaCock, and slugger Hank Sauer, hold forth on the front office moves, gruelling day-game scheduling and sometimes agonizing play of one of baseball's oldest, unluckiest and yet most revered franchises.
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Charles "Dazzy" Vance became known as the strike out king after leading the National League in strikeouts seven years in a row. Dazzy mesmerized opposing hitters with a blazing fastball, off-the-tabletop curve, a high leg kick and a sleeve on the undershirt of his pitching arm with slits cut into it that would flutter and distract batters as he delivered the pitch. This famed baseball pitcher was in the minor leagues for 10 years and didn't make it to the majors to stay until he was 31. He retired at age 44 just missing his goal of winning 200 games. He finished with 197 victories. In 1955, he became the first Brooklyn Dodgers player to be inducted into the Hall of Fame. This biography covers the life of Vance, including the Major League Hall of Fame career and his personal life off the diamond. Also included is a list of Dazzy's lifetime statistics, from 1915 through 1935, containing his 1934 World Series Game. Conversations held with family, friends, sports writers and teammates are quoted throughout this biography.