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Mario Buccellati
For the first time, this volume illustrates the entire history of the exclusive, jeweled creations of Mario Buccellati. Since 1919, when he opened his first store near La Scala opera house in Milan, his jewelry has been highly sought for the luxury of its stones, its perfect craftsmanship, and most importantly the genius of its designer. Mario Buccellati reveals the shimmering stones and delicate settings that have made Buccellati one of the world's preeminent marques in jewelry. The book also pictures the other magnificent objects d'art that testify to the vision of their creator: silver receptacles and tableware, engraved boxes, and lifelike silver sculptures of animals. The text tells of Mario Buccellati's first commissions, his close friendships with prominent clients, his innovative methods, and the legacy of design he passed on to his heirs.
Meret Oppenheim--My Album
The first English translation of Meret Oppenheim's album From Childhood to 1943 and of a previously unpublished extensive autobiographical text. The complex, enigmatic work of Meret Oppenheim (1913-85) has lost nothing of its allure in the present day. Much has been written about her career and her art. Yet very little is known about the real person, who always remained secretive about herself and banned publication of any personal documents until twenty years after her death. In 1958, Oppenheim put together an album that she titled Von der Kindheit bis 1943 (From Childhood to 1943). It has a dual identity of a diary and a work of art. It assembles photos, objects, notes, and brief texts, as...
Filippo Marignoli
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Modern Etruscans
“L’Étrurie est à la mode”, French archaeologist Salomon Reinach bluntly stated in 1927. Since the beginning of the nineteenth century, Etruria had not only been attracting the attention of archaeologists and specialists of all sorts, but it had also been a fascinating and, in some cases, captivating destination for poets, novelists, painters and sculptors from all over Europe. This volume deals with the impact of the constantly expanding knowledge on the Etruscans and their mysterious civilisation on Italian, French, English, and German literature, arts and culture, with particular regard to the modernist period (1890–1950). The volume brings a distinctive point of view to the subj...
Conceptualism and Materiality
Conceptualism and Materiality. Matters of Art and Politics underscores the significance of materials and materiality within Conceptual art and conceptualism more broadly. It challenges the notion of conceptualism as an idea-centered, anti-materialist enterprise, and highlights the political implications thereof.
Fukushi Ito - In the space and in the time
Fukushi Ito vive e lavora tra Italia e Giappone, ma per lei appartenere a due mondi lontani non significa rinuncia a qualcosa o crisi di identità; al contrario è il privilegio di poter avere due patrie,di poter raggiungere una sintesi superiore, perché come artista asiatica, e in particolare giapponese, l’identità è un fattore non statico: ma ciò che è stato, ciò che è, ciò che potrà essere. Il lavoro di Fukushi Ito è un infinito esercizio poetico, un esplorare il mondo per trovare la sintesi artistica che definisca la presenza delle cose nello spazio e nel tempo. Scrive Roberto Mastroianni: “Fukushi Ito si interroga, vede le dinamiche con cui la realtà prende forma e decide di riproporle artisticamente”.
Mitchell Johnson
"Whether plein air or in the studio, Mitchell Johnson revels in the act of painting. His air, sun-splashed landscapes of Italy, northern California and New Mexico vibrates with an energy culled from years of painting on site. The seemingly casual nature of his compositions are the results of a dedicated studio practice. Schooled in the rigors of New York abstraction, Johnson does not abandon representation but rather constructs a context for it: color becomes form, line becomes definition, and paint becomes space. With these tools Mitchell Johnson presents us with his unique vision of the world. Throughout the ten years of our association, it is the joy and playfulness of his paintings that I find most attractive. Johnson will let the implied, blurry movement or the ghost of a figure that has been edited out remain as a clue or alternative. Tractors and airplanes, the patterns on beach umbrellas, or the line of a series of trees, are all the elements which in combination give each Johnson painting unique perspective."--Jacket.
Entering the Picture
In 1970, Judy Chicago and fifteen students founded the groundbreaking Feminist Art Program (FAP) at Fresno State. Drawing upon the consciousness-raising techniques of the women's liberation movement, they created shocking new art forms depicting female experiences. Collaborative work and performance art – including the famous "Cunt Cheerleaders" – were program hallmarks. Moving to Los Angeles, the FAP produced the first major feminist art installation, Womanhouse (1972). Augmented by thirty-seven illustrations and color plates, this interdisciplinary collection of essays by artists and scholars, many of whom were eye witnesses to landmark events, relates how feminists produced vibrant bo...
International Futurism in Arts and Literature
This publication offers for the first time an inter-disciplinary and comparative perspective on Futurism in a variety of countries and artistic media. 20 scholars discuss how the movement shaped the concept of a cultural avant-garde and how it influenced the development of modernist art and literature around the world.
