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The fabled land of Nubia, whose very name means 'gold, ' was famous in ancient times for its supplies of precious metal, exotic material, and intricate craftsmanship. Many of the adornments made in Nubia are masterpieces of the jeweler's art--marvels of design and construction rivaling, and often surpassing, adornments made in Egypt and the rest of the ancient Mediterranean world. Although these unique treasures are among the most stunning to have survived from antiquity, they remain little known. Richly illustrated with beautiful photographs of these exquisite items, many of them never before published, Nubian Gold also places the jewelry within the cultural contexts in which it was manufac...
The response from the jewelry industry to a campaign for ethically sourced gold as a case study in the power of business in global environmental politics. Gold mining can be a dirty business. It creates immense amounts of toxic materials that are difficult to dispose of. Mines are often developed without community consent, and working conditions for miners can be poor. Income from gold has funded wars. And consumers buy wedding rings and gold chains not knowing about any of this. In Dirty Gold, Michael Bloomfield shows what happened when Earthworks, a small Washington-based NGO, launched a campaign for ethically sourced gold in the consumer jewelry market, targeting Tiffany and other major f...
Surveys the exhibition of Greek gold jewelry held in 1994 at the British Museum and at the Metropolitan Museum of Art
During the classical period in ancient Greece, the skill of Greek jewellers and the beauty of the designs they created raised their craft to a miniature art. Published to accompany an exhibition, this catalogue describes and illustrates 200 of the finest surviving pieces of Greek jewellery dating from the 5th to 3rd century BC. Drawn from the collections of the Hermitage, St Petersburg, the Metropolitan Museum of Art, New York, and the British Museum, many of the pieces are being exhibited for the first time.
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In Tibet and Nepal gold jewelry has always been rare, a luxury reserved for the wealthy and powerful. Jewelry reflected not only the owner's personal wealth, but also social and political status - frequently, promotion in rank entailed promotion in jewelry, both for male government officials and their wives. Himalayan jewelry also conveys ancient cultural values and, particularly in its form as an amulet box, it serves a powerful talismanic function. In the great religious traditions of Buddhism and Hinduism, gems and jewels - connoting preciousness, rarity and supreme refinement - often served as metaphors for ideals of the faith, and Himalayan deities were magnificently adorned with crowns...
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The Phenomenon of Studio Goldsmithing When the history of art in the 1980s is written, much of it will be etched in gold. This is the time of the contemporary goldsmith, an artist who chooses to work in precious metals rather than oils or marble. The contemporary jeweler-as-artist has only recently become a re cognized force. With rare exceptions, the whole field is little more than thirty years old. But it is only within the past fifteen years that these jewelers have entered the jewelry mainstream. The phenomenon of contemporary goldsmithing embraces an eclectic group of artists, each with a unique vision, each taking a per sonal path to jewelry producing. They have as little relationship ...
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Utilizing stringing and wireworking techniques accessible to beginners, this mixed metal jewelry guide also offers boutique-style designs that will captivate the more experienced beader. With no metalworking required, detailed instructions are provided for 30 unique projects incorporating various metals such as silver, gold, copper, brass, PMC, and more. Techniques for distressing metal--such as using liver of sulfur, other patinas, and hammering--are included, as well as ideas for mixing metals and using faux metals. Background information is given on each type of metal, from common properties to shopping tips, care, and cleaning.