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In die unendlichen Weiten des Universums entführen die anregenden, organischen und farbenreichen Gemälde von Martina Fischer. Dem intensiveren Blick des Betrachters ins Kleine und Große öffnen sich nun die Bilder der seit 1999 in Meersburg und nun in Überlingen beheimateten Künstlerin, gezeigt in einer umfassenden Werkschau in Hagnau am Bodensee. 0Makrokosmos oder Mikrokosmos? Schaut man vielleicht gerade durch ein Elektronenmikroskop in einen Organismus? Oder durch ein Teleskop in unendliche Weiten? Solche oder andere Vorstellungen assoziieren die Bilder von Martina Fischer. Martina Fischers Bilder bewegen sich zwischen Abstraktion und Illusion. Sie irritieren und faszinieren, weil Fischer Grenzen zwischen Innen- und Außenwelt auflöst. Fischers „abstrakter Naturalismus“ ist ihre ganz individuelle Fortsetzung einer langen malerischen Tradition. Ihre Bilder transportieren den Betrachter durch Raum und Zeit. Nach Einzelausstellungen in Mailand, Berlin, Luxemburg und New York ist die Ausstellung der erste große Rückblick auf ihre Malerei der letzten vierzehn Jahre.
Das englischsprachige Berghof Handbook ist das internationale Referenzwerk zum Thema Konflikttransformation. The Berghof Handbook offers both practitioners and scholars a systematic overview of the state-of-the-art of conflict transformation.
The Dayton Accords ended the war in Bosnia-Herzegovina in 1995. The 10th anniversary gives reason to investigate the post-war period, today's realities and future perspectives. Bosnian authors and international experts express their views on recent developments. Insiders and outsiders, working in the conflict and on its transformation, have been invited to tackle the questions: Which conflict lines mark the present society? Did peacebuilding activities address the underlying causes? What are obstacles for conflict transformation? What are the potentials and limits of international support? What does "civil society" mean in Bosnia and how is it related to statebuilding and democratisation? How can people constructively deal with the past in order to design the future in the region of former Yugoslavia? The book gives an overview on an important research focus of the Berghof Research Center, highlighting the work of its most important cooperation partners.
How can sustainable peace be achieved? The book identifies potential supranational, state and non-state actors involved in peacebuilding processes. Further - more, it develops strategies to address the problems and dilemmas of international peacebuilding. An important contribution to a highly topical debate. Hopes for a less conflict-prone world after the end of the Cold War were bitterly disappointed. Instead, the international community is faced with protracted wars and violent conflicts today. In addition, social, economic and cultural insecurities as well as fragile statehood challenge the post-Westphalian environment. As a result, scholars and policy-makers alike are trying to develop viable strategies for sustainable peace. The book contributes to this debate, as it illustrates current research results on the topic and addresses the complex problems and dilemmas that various international peace - building actors are confronted with.
The Art of Transitional Justice examines the relationship between transitional justice and the practices of art associated with it. Art, which includes theater, literature, photography, and film, has been integral to the understanding of the issues faced in situations of transitional justice as well as other issues arising out of conflict and mass atrocity. The chapters in this volume take up this understanding and its demands of transitional justice in situations in several countries: Afghanistan, Serbia, Srebenica, Rwanda, Northern Ireland, Cambodia, as well as the experiences of resulting diasporic communities. In doing so, it brings to bear the insights from scholars, civil society groups, and art practitioners, as well as interdisciplinary collaborations.
The divisive and malleable nature of history is at its most palpable in situations of intractable conflict between nations or peoples. This book explores the significance of history in informing the relationship between warring parties through the concept of thick recognition and by exploring its relevance specifically in relation to Israel.
Many developing countries find themselves in seemingly intractable internal conflicts, hindering them from moving on into a more stable, secure and wealthy environment. It seems that underdevelopment and conflict go hand in hand. Underdevelopment most often implies large streams of development aid channeled into countries at war. The work evaluates to what extent an increase in development aid affects conflict ripeness. The research shows that the effect is ambivalent: it depends on the conditions of provision whether it is positive or negative. In general, an ‘increase in development aid’ decreases the intensity of one of the ingredients to conflict ripeness: the mutually hurting stalemate. However, if embedded into a smart strategy, an ‘increase in development aid’ enhances the second ingredient to conflict ripeness: the sense of a way out. By that it counterbalances the negative effect and thus fosters the phase of ripeness, creating an ideal starting position for a subsequent peace process.
This groundbreaking book from one of the foremost leaders in the field presents a fascinating continuum of research-informed strategies to prevent genocide from ever taking place; to avert further atrocities once mass murder occurs; and to prevent further turmoil once a society learns how to rebuild itself.
We know that violence breeds violence. We need look no further than the wars in the western Balkans, the genocide in Rwanda, or the ongoing crisis in Israel and Palestine. But we don’t know how to deal with the messy moral and political quandaries that result when victims become perpetrators. When the line between guilt and innocence wavers and we are confronted by the suffering of the victim who turns to violence, judgment may give way to moral relativism or liberal tolerance, compassion to a pity that denies culpability. This is the point of departure in The Violence of Victimhood and the impetus for its call for renewed considerations of responsibility, judgment, compassion, and nonviolent politics. To address her provocative questions, Diane Enns draws on an unusually wide-ranging cast of characters from the fields of feminism, philosophy, peacebuilding, political theory, and psychoanalysis. In the process, she makes an original contribution to each, enriching discussions that are otherwise constricted by disciplinary boundaries and an arid distinction between theory and practice.