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Treno
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Socavón
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Without Hatreds Or Fears
A study of Tambores en la Noche, two volumes of verse by Jorge Artel, black poet of 20th-century Colombia. It analyzes his work within the context of Colombian history and culture, modern Spanish American literature, and the poet's own career.
Poesía afrocolombiana
Esta publicación es una invitación al lector colombiano, así como a todos los hispanoamericanos, a leer en las páginas de este libro la convivencia de nuestras lenguas hermanas en su mejor forma: el canto, la poesía. Al lector brasileño, le ofrece un panorama de la poesía escrita en Colombia, del siglo XIX al XXI, por poetas afrodescendientes, en la lengua de los autores y en traducción al portugués brasileño. Cabe recordar que, además del origen hispánico de sus lenguas oficiales, Colombia y Brasil comparten la condición de países con mayor población negra de América Latina.
Humano litoral
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Mayaya Rising
Who are the Black heroines of Latin America and the Caribbean? Where do we turn for models of transcendence among women of African ancestry in the region? In answer to the historical dearth of such exemplars, Mayaya Rising explores and celebrates the work of writers who intentionally center powerful female cultural archetypes. In this inventive analysis, Duke proposes three case studies and a corresponding womanist methodology through which to study and rediscover these figures. The musical Cuban-Dominican sisters and former slaves Teodora and Micaela Ginés inspired Aida Cartagena Portalatin’s epic poem Yania tierra; the Nicaraguan matriarch of the May Pole, “Miss Lizzie,” figures prominently in four anthologies from the country’s Bluefields region; and the iconic palenqueras of Cartagena, Colombia are magnified in the work of poets María Teresa Ramírez Neiva and Mirian Díaz Pérez. In elevating these figures and foregrounding these works, Duke restores and repairs the scholarly record.
