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(Re)Creating Language Identities in Animated Films
This book describes the dubbing process of English-language animated films produced by US companies in the 21st century, exploring how linguistic variation and multilingualism are used to create characters and identities and examining how Italian dubbing professionals deal with this linguistic characterisation. The analysis carried out relies on a diverse range of research tools: text analysis, corpus study and personal communications with dubbing practitioners. The book describes the dubbing workflow and dubbing strategies in Italy and seeks to identify recurrent patterns and therefore norms, as well as stereotypes or creativity in the way multilingualism and linguistic variation are tackled. It will be of interest to students and scholars of translation, linguistic variation, film and media.
Dealing with Multilingualism in TV Series
This book applies a descriptive and multimodal methodology for the analysis of multilingual TV series with recurrent use of foreign languages in order to examine the role of multilingualism in the audiovisual products analysed. It also explores whether and how dubbing affects the plot and characterisation of original TV series, while its focus on Italian dubbing provides more detailed and specific insight into the phenomenon.
New Horizons in the Study of Motion
Talmy’s lexicalization patterns and Slobin’s “Thinking for Speaking” hypothesis have attracted a lot of attention in fields such as linguistics, psychology, and anthropology, among others. While researchers might not agree on how, or to what extent, lexicalization patterns influence speakers’ online/offline verbalization of motion, it is an undeniable fact that these theories have been, and still are, a “trending topic” in these research areas, evidenced by the contributions to this book. All papers brought together here use Talmy’s and Slobin’s ideas as a point of departure to explore how second language learners acquire these motion patterns, to explain what translators render in their target languages, and to refine some basic notions such as Path, Deixis, or fictive motion, and use them as a springboard to find new applications and understand other linguistic phenomena. All in all, this book provides insights into new ways of applying motion and widening theoretical perspectives, allowing these models to maintain their relevance and importance.
Translation, Adaptation and Digital Media
Adaptation has always been central to Translation Studies, and, as print media becomes less and less dominant, and new media become central to communication, Adaptation is more than ever a vital area of Translation and Translation Studies. In addition, links to new digital media are examined. This is the only user-friendly textbook covering the full area of Translation, Adaptation, and Digital Media applicable to any language combination. Divided into nine chapters, it includes a wide range of texts from Brazilian culture, ensuring an ex-centric view of translation. Each chapter contains an expository section, case studies, and student activities to support learning. It emphasises the central role of Adaptation in the translation of works for the popular book market, for theatre, cinema, radio, and, especially, the new media. This is the essential textbook for students in Translation and Adaptation Studies courses and instructors and professionals working on adaptation and transmedia projects.
Audiovisual Translation
Audiovisual translation is the fastest growing strand within translation studies. This book addresses the need for more robust theoretical frameworks to investigate emerging text- types, address new methodological challenges (including the compilation, analysis and reproduction of audiovisual data), and understand new discourse communities bound together by the production and consumption of audiovisual texts. In this clear, user- friendly book, Luis Pérez-González introduces and explores the field, presenting and critiquing key concepts, research models and methodological approaches. Features include: • introductory overviews at the beginning of each chapter, outlining aims and relevant ...
Feeding the Future
The agri-food sector encompasses an extremely wide range of activities regarding the entire value chain of a product and generates a huge volume of work for translators. Nevertheless, the sheer proportion has yet to be truly reflected in academic studies and research. This work intends to shed light on the vague, and barely addressed until now, delimitation of the area of activity of the multifaceted and versatile agri-food translator. Through a text typologisation of genres and subgenres, within the margins of hybridity, specialisation and register, this work approaches the characteristics of scientific-technical, medical-health, legal-administrative, humanistic-literary, tourist, advertising and gastronomic and culinary agri-food texts, and assesses the skills required from their translator.
Audiovisual Translation in a Global Context
This book offers an up-to-date survey of the present state of affairs in Audiovisual Translation, providing a thought-provoking account of some of the most representative areas currently being researched in this field across the globe. The book discusses theoretical issues and provides useful and practical insights into professional practices.
An Encyclopedia of Practical Translation and Interpreting
As a sequel to?An Encyclopedia of Translation: ChineseEnglish EnglishChinese, which was published in 1995, this volume,?An Encyclopedia of Practical Translation and Interpreting, focuses on practical translation and interpreting, the two emerging areas of increasing importance in recent decades. Some chapters in this volume are illustrated with examples in translation between Chinese and English. Scholars and experts from China, France, Hong Kong, Spain, Taiwan, the United Kingdom, and the United States share with us their experiences in translation or interpreting practice. This encyclopedia should be of great interest to both specialists and general readers.
Audiovisual Translation
Audiovisual Translation: Dubbing is an introductory textbook that provides a solid overview of the world of dubbing and is fundamentally interactive in approach. Based on first-hand experience in the field, the book combines translation practice with other related tasks – usually commissioned to dialogue writers and dubbing assistants – thus offering a complete introduction to the field of dubbing. It develops diversified skills, presents a broad picture of the industry, engages with the various controversies in the field, and challenges prevailing stereotypes. The individual chapters cover the map of dubbing in the world, the dubbing market and professional environment, text segmentation into takes or loops, lip-syncing, the challenge of emulating oral discourse, the semiotic nature of audiovisual texts, and specific audiovisual translation issues. The book further raises a number of research questions and looks at some of the unresolved challenges of this very specific form of translation. It includes graded exercises covering core skills that can be practised in class or at home, individually or collectively.
Polyglot Cinema
Polyglot Cinema brings together a diverse group of scholars from Europe, Canada and the US, resulting in a dynamic account of plurilingual migrant narratives in contemporary films from France, Italy, Portugal and Spain. In addition to the close analysis of key films, the essays cover theories of translation and language use as well as central paradigms of cultural studies, especially those of locality, globality and post-colonialism. The volume marks a transdisciplinary contribution to the question of cultural representation within film studies.
