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The present study has been divided into five general chapters each of which is centred around a basic issue related to ethnic identities. This central issue may be more or less specific, largely depending on its nature and on the corpus it comprises: for example, chapter two, which bears the general title "the old country and the New World", is naturally the most extensive because of the great scope of this theme and the number of works it involves, two novels and a considerable number of stories, including the very long "Man in the Drawer. By contrast, the last chapter, entitled "Beyond Race into Myth: Seeking the Liberation of the Self", is logically the shortest because its focus is restricted to a particular function of ethnic identities, metaphorically speaking, in Malamud's fantastic works, the novel "God's Grace" and one short story. Similar proportions between length, complexity of theme and corpus treated are maintained in the three central chapters, which focus on ethnic aspects which are neither as general as chapter two nor as specific as chapter six.
Picturing the Language of Images is a collection of thirty-three previously unpublished essays that explore the complex and ever-evolving interaction between the verbal and the visual. The uniqueness of this volume lies in its bringing together scholars from around the world to provide a broad synchronic and diachronic exploration of the relationship between text and image, as well as a reflection on the limits of representation through a re-thinking of the very acts of reading and viewing. While covering a variety of media—such as literature, painting, photography, film and comics—across time—from the 18th century to the 21st century—this collection also provides a special focus on the work of particular authors, such as A. S. Byatt, W. G. Sebald, and Art Spiegelman.
The loss of Negative Concord (NC) has long been attributed to external factors. This study readdresses this issue and provides evidence of the failure of certain external factors to account for the observed decline and ultimate disappearance of NC in Standard English. A detailed study of negation in Late Middle and Early Modern English reveals that the process of the decline of NC was a case of a natural change, preceded by a period of variation manifested in the obtained S-curves for all the contexts studied. Variation existed not only on the level of the speech community as a whole but also within individual speakers (contra Lightfoot, 1991). A close study of n-indefinites in negative cont...
This book demonstrates the complexity of Bellow's work by emphasizing the ways in which it reflects the changing conditions of American identity.
This collection focuses on texts that address the other arts – from painting to photography, from the stage to the screen, and from avant-garde experiments to mass culture. Despite their diversity of object and approach, the essays in Relational Designs coalesce around the argument that representations are defined by relations and dynamics, rather than intrinsic features. This rationale is supported by the discourses and methodologies favoured by the book’s contributors: their approaches offer a cross section of the intellectual and critical environment of our time. The book illustrates the critical possibilities that derive from the broad range of modes of inquiry - poststructuralist criticism, gender studies, postcolonial studies, new historicism – that the book’s four sections bring to bear on a wealth of intermedial practices. But Relational Designs compounds such critical emphases with the voice of the practitioner: the book is rounded off by an interview in which a contemporary novelist discusses her attraction to the other arts in terms that extend the book’s insights and bridge the gap between academic discourse and artistic practice.
Drawing on transnational literary studies, periodical studies, translation studies, and comparative literary history, Modernism and the New Spain illuminates why Spain has remained a problematic space on the scholarly map of international modernisms.
Essays in english language teaching includes a selection of articles which are based on edited and peer-reviewed papers delivered at the "I Simposio de Enseñanza y Aprendizaje del Inglés: el método comunicativo en el año 2000" held at the University of Oviedo from 19 to 21 November, 1998, together with two plenary keynote lectures: Carme Muñoz's (University of Barcelona): "The effects of age on instructed foreign language acquisition"; and Ignacio Palacios' (University of Santiago de Compostela): "What's there to know about the learning of a foreign language?". No summary is provided as we hope they should be compulsory/compulsive reading.
This Open access book is a collection of essays and offers an in-depth analysis of silence as an aesthetic practice and a textual strategy which paradoxically speaks of the unspoken nature of many inconvenient hidden truths of Irish society in the work of contemporary fiction writers. The study acknowledges Ireland’s history of damaging silences and considers its legacies, but it also underscores how silence can serve as a valuable, even productive, means of expression. From a wide range of critical perspectives, the individual essays address, among other issues, the conspiracies of silence in Catholic Ireland, the silenced structural oppression of Celtic Tiger Ireland, the recovery of sil...
Homenatge a Javier Coy, catedràtic jubilat del Departament de Filologia Anglesa i Alemanya de la Universitat de València de 1990 a 2000 i un dels primers investigadors a introduir els estudis nord-americans. Recull de 50 articles d'especialistes en aquest camp, que reflecteixen l'estat dels estudis sobre la cultura i la literatura dels Estats Units contemporanis.