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Food was Her Country
"At turns tender, dark and funny, Food Was Her Country tracks a tempestuous mother-daughter relationship and the life-long culinary journey that leads them from estrangement to common ground. For Bociurkiw's mother, born in Soviet Ukraine and raised in an Alberta convent school, food was the only language her proto-foodie daughter could understand. From humorous accounts of an obsessive teenager in the '70s who creates a year's worth of extravagant Sunday desserts for her family, to a dangerous mother-daughter road trip in search of lunch, these linked vignettes ponder the ways in which relationships can rupture and reconcile, evoking healing new beginnings and fresh ways of tasting the world"--Publisher marketing.
Feeling Canadian
“My name is Joe, and I AM Canadian!” How did a beer ad featuring an unassuming guy in a plaid shirt become a national anthem? This book about Canadian TV examines how affect and consumption work together, producing national practices framed by the television screen. Drawing on the new field of affect theory, Feeling Canadian: Television, Nationalism, and Affect tracks the ways that ideas about the Canadian nation flow from screen to audience and then from body to body. From the most recent Quebec referendum to 9/11 and current news coverage of the so-called “terrorist threat,” media theorist Marusya Bociurkiw argues that a significant intensifying of nationalist content on Canadian t...
The Children of Mary
Fiction. THE CHILDREN OF MARY is a powerful portrayal of three generations of Ukrainian women focusing on the relationship between two sisters, Sonya and Kat, and the mysterious events of their childhood. After her sister dies in a tragic accident, Sonta spends the next decade wrestling with the ghosts of the past. Moving back and forth in time from the 1930s to the 1990s, the novel traces a family's journey from the old world to the new, from the Manitoba prairies to the queer feminist underground of Toronto, amid a complex web of secrets, half-truths and magic spells. "Gritty, darkly comic and lyrical"--Nancy Richler.
Comfort Food for Breakups
An elegiac memoir about food, family, and the thorns of personal history written by a Ukrainian Canadian lesbian, whose family recipes connect intimate vignettes in which food nourishes, comforts, and heals the wounds of the past, including those of a father haunted by memories of time spent in a concentration camp during World War II. The author, both at home and in her travels through North America and Europe, also reconciles her family life with her queer identity; food becomes her salvation and a way to engage with the world. Thoughtful, sensual, and passionate, Comfort Food for Breakups muses on the ways in which food intersects with a nexus of hungers: for intimacy, for family, for home. Marusya Bociurkiw is a filmmaker and the author of three previous books.
Two Lands, New Visions
A collection of stories from Canada and Ukraine. Typical is Ways of Coping, set in 18th century Ukraine and written by Myrna Kostash, a Canadian-Ukrainian. As a Polish lord forces himself on his Ukrainian maid, the woman finds comfort in the thought the Cossacks will soon revenge her in kind.
The Woman who Loved Airports
From the suburban shopping malls of a hybrid Ukrainian/Canadian childhood, to the demi-monde of queer sex and love, these stories illuminate the shifting nature of sexuality and home.
Selves and Subjectivities
As critic Diana Brydon has argued, contemporary Canadian writers are "not transcending nation but resituating it." Drawing together themes of gender and sexuality, trauma and displacement, performativity, and linguistic diversity, Selves and Subjectivities constitutes a thought-provoking response to the question of what it means to be a Canadian"--P. [4] of cover.
Land Deep in Time
This volume brings together a group of most highly acclaimed Canadian writers and distinguished international experts on Canadian literature to discuss what potential Janice Kulyk Keefer's concept of "historiographic ethnofiction" has for ethnic writing in Canada. The collection builds upon Kulyk Keefer's idea but also moves beyond it by discussing such realms of the concept as its ethics and aesthetics, multiple and multilayered sites, generic intersections, and diasporic (con-)texts. Thus, focusing on Canadian historiographic ethnofiction, "Land Deep in Time" is the first study to define and explore a type of writing which maintains a marked presence in Canadian literature but has not yet been recognized as a separately identifiable genre.
Unbound
What does it mean to be Ukrainian in contemporary Canada? The Ukrainian Canadian writers in Unbound challenge the conventions of genre - memoir, fiction, poetry, biography, essay - and the boundaries that separate ethnic and authorial identities and fictional and non-fictional narratives. These intersections become the sites of new, thought-provoking and poignant creative writing by some of Canada's best-known Ukrainian Canadian authors. To complement the creative writing, editors Lisa Grekul and Lindy Ledohowski offer an overview of the history of Ukrainian settlement in Canada and an extensive bibliography of Ukrainian Canadian literature in English. Unbound is the first such exploration of Ukrainian Canadian literature and a book that should be on the shelves of Canadian literature fans and those interested in the study of ethnic, postcolonial, and diasporic literature.
