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Making Miracles in Medieval England
The cult of the saints was central to medieval Christianity largely due to the miraculous. Saints were members of the elect of heaven and could intercede with God on the behalf of supplicants. Whilst people visited shrines and prayed to the saints for many reasons it was the hope of intercession and the praise of miracles past which drove the cult of the saints. This book examines how a person solicited aid from a saint, how they might give thanks and the ways in which post-mortem miracles structured the cult of the saints. A huge number of miracle stories survive from medieval England, in dedicated collections as well as in saints’ lives and other source material. This corpus is full of s...
Manuscripts of Sedulius
This is a print on demand edition of an important, hard-to-find publication.
Saints' Legends in Medieval Sarum Breviaries
Machine generated contents note:pt. OneCatalogue of the Manuscripts and Early Printed Editions --pt. TwoThree Studies --A.Key Findings on the Major Textual Families --B.'Extra' Texts for Saints in Some Manuscripts --C.Key Findings on Liturgical Regulation and the Dating of These Manuscripts --Conclusion.
A Companion to Medieval Rules and Customaries
A Companion to Medieval Rules and Customaries offers an introduction to the rules and customaries of the main religious orders in medieval Europe: Benedictine, Cistercian, Carthusian, Augustinian, Premonstratensian, Templar, Hospitaller, Teutonic, Dominican, Franciscan, and Carmelite. As well as introducing the early history and spirituality of the orders, scholars survey the central topics – organization, doctrine, morality, liturgy, and culture, as documented by these primary sources. Contributors are: James Clark, Tom Gaens, Jean-François Godet-Calogeras, Holly Grieco, Emilia Jamroziak, Gert Melville, Stephen Molvarec, Carol Neel, Krijn Pansters, Matthew Ponesse, Bert Roest, Kristjan Toomaspoeg, Paul van Geest, Ursula Vones-Liebenstein, and Coralie Zermatten.
Ars Poetriae
Purcell suggests that the medieval genre holds contemporary significance as a model for rhetorical concerns brought to light by the critiques of post-modernism and feminism. Purcell examines the six Latin artes poetriae or works intended to instruct students in the composition of prose and poetry. He contends that because of their position in the shift from oral to written communication, the treatises reveal much about the nature of rhetoric and grammar.
Medieval Mythography, Volume Two
The second volume in Jane Chance's study of the history of medieval mythography from the fifth through fifteenth centuries focuses on the time period in Western Europe between the School of Chartres and the papal court at Avignon. This examination of historical and philosophical developments in the story of mythography reflects the ever-increasing importance of the subjectivity of the commentator. Through her vast and wide-ranging familiarity with hitherto seldom studied primary texts spanning nearly one thousand years, Chance provides a guide to the assimilation of classical myth into the Christian Middle Ages. Rich in insight and example, dense in documentation, and compelling in its interpretations, Medieval Mythography is an important tool for scholars of the classical tradition and for medievalists working in any language.
Hugh of Amiens and the Twelfth-Century Renaissance
Hugh of Amiens (c. 1085-1164) was an important intellectual figure in the twelfth century. During a long life he served as a cleric, Cluniac monk, abbot, and archbishop of Rouen. He wrote a number of works including poems, biblical exegesis, anti-heretical polemics, and most importantly one of the earliest collections of systematic theology, his Dialogues. This book examines all of Hugh's writings to uncover a better understanding not only of this individual, but also of the twelfth-century as a whole, especially the theological preoccupations of the period, including the development of systematic theology and views on the differences of the monastic and clerical ways of life.
Nigel of Longchamp, Speculum Stultorum
An edition and English translation of the Speculum Stultorum (The Mirror for Fools), a long Latin beast epic written near the end of the twelfth century by a monk of Christ Church, Canterbury. This was one of the most popular works of the Middle Ages, a favourite of Chaucer, Gower, and Henryson, and was copied for over three centuries, with a circulation extending as far as eastern Europe. It is not only a milestone in the history of medieval beast epic, but a rich source of information about contemporary life and events at Canterbury. The work is dedicated to William Longchamp, who was Richard I's chancellor, and the significance of this fact is shown. This is a highly entertaining narrativ...
