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Ray Gun
This exclusive volume presents the best features and radically designed pages of the 1990’s most uncompromising document of alternative music, style, and pop culture. Founded in 1992, Ray Gun was the only magazine wherein a die-hard culture seeker could find information on alternative music and the street-inspired style that really mattered. Punk rock had torn pop music to shreds and created a hunger for an original lifestyle beyond mainstream culture, and Ray Gun was its graphic chronicler: across its pages blasted a visual feast made up of era-defining artists such as Sonic Youth or Iggy Pop, music-inspired art, and a complete redefinition of sartorial style. The magazine’s original ar...
Ray Gun
A potent blend of selected pieces from Californian magazines Ray Gun, Stick and Bikini. This text traces their evolving design with the work of David Carson, Vaughan Oliver and Robert Hales, and examines the culture that has produced them. Iggy Pop, Brian Eno, Quentin Tarrantino, Michael Stipe and Oasis are among contributors.
The End of Print
Examines the graphic artist's approach and discusses the extreme reactions to his work.
Radical Graphics/Graphic Radicals
Today's highly accelerated visual culture--a realm of converging media, rapid technological advancement, and unprecedented crossover among the arts, popular culture, and commerce--compels the new breed of designer to create innovative visual languages. radical graphics/graphic radicals offers an unparalleled look at the work of those visionaries who are redefining graphic design in our era. Book jacket.
Street View
Foreword -- Introduction -- New York -- Barcelona -- London -- Montreal -- Stockholm -- Tokyo -- Los Angeles -- Shopping list -- Websites -- Credits.
Street
Ask any designer, fashion editor, or art director where the hottest trends are coming from, and they'll tell you it's from the streets of certain cities. And if you ask them what magazine gives the best, most authoritative coverage of these outsider fashion incubators, chances are they'll say Nylon. Nylon here combines its street cred and international expertise (the magazine is read in major cities around the world, and has recently launched both Japanese and Australian editions) to reveal the iconic looks in the seven most fashion-forward cities today: London, Paris, Berlin, Tokyo, Melbourne, Copenhagen and New York. Led by acclaimed editor in chief Marvin Scott Jarrett, Nylon's editors, w...
Fotografiks
A new expression of Carson's famously original way of seeing, 'fotografiks' are curiously fleeting images that seem to have been lifted out of their mundane context and abstracted to another realm. Anecdotal captions provide philosophic comments on the nature of the photographs, aspects of the page design and observations on the process of assembling parts to form a whole. Possibly the most influential graphic designer working today, David Carson has been profiled by several of the world's leading publications including Newsweek and The New York Times, and has won an award from the International Center for Photography in New York for "the best use of design with photography." He creates cutting edge advertising for a number of high profile clients including Nike, Microsoft, MTV, Jaguar, Ray-Ban and Sony. David Carson: Fotografiks will appeal to anyone interested in experiencing a fresh method of visual communication.
Adrian Frutiger – Typefaces
The Swiss type designer Adrian Frutiger decisively influenced the international creation of typefaces after 1950. His Univers typeface and the machine-readable font OCR-B are milestones, as is his type for the Paris airports, which evolved into the Frutiger typeface. All set new standards for signage types. In all, he created some fifty types, including Ondine, Méridien, Avenir, and Vectora. Based on conversations with Frutiger himself and on extensive research, this publication provides a highly detailed and accurate account of the type designer’s artistic development. All of his types – from the design phase to the marketing stage – are illustrated and analyzed with reference to the technology and related types. Hitherto unpublished types that were never realized and more than one hundred logos complete the picture.
Trek
None
G1
Features 1996 entrants and winners. 460 illustrations, 400 in color.
