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A DAY FOR LOVE The Substitute Guest Claire Ward is invited at the last moment to a Valentine’s house party when another guest withdraws. She soon feels very out of place, however, when she realizes the party is intended to be something wild. When each gentleman draws the name of the lady who will be his Valentine for the next three days, the Duke of Langford, the worst rake of them all, finds himself deliberately but quite inexplicably choosing the card of the lady he suspects is prim and virtuous—and very unlike any other he has known. Golden Rose The Master of Ceremonies in Bath has devised an intriguing plan for the annual Valentine’s ball at the Assembly Rooms. Each gentleman is to...
David, Major Lord Tavistock, has survived the Crimean War. But he knows he will always be haunted by memories of the brutal fighting, the wounds he sustained—and the death in battle of Julian, the foster brother he had loved and protected all his life. Now he is coming home to England, burdened with dark secrets he can never divulge, to face Julian's widow—and to persuade her to marry him. Rebecca has never liked David, and she is convinced she has good reason for her feelings. She does try her best, however, not to resent the fact that he has survived the war while her beloved husband has not. At first she is horrified by his proposal of marriage and believes that nothing could ever persuade her to accept. Circumstances cause her to change her mind, but she does not expect ever to fall in love with him. How, after all, can she forget the perfect love she shared with Julian? How can she overlook all the negative things she knows about David? How is she to ignore her growing suspicion that he was somehow responsible for Julian's death? How can she possibly be falling in love with him anyway?
Nevill Wyatt, Earl of Kilbourne, awaited his bride at the alter--when a ragged beggar woman raced down the aisle instead. The cream of the ton saw him stare, shocked, then declare that this was his wife!
After surviving the Napoleonic Wars, Sir Benedict Harper is struggling to move on, his body and spirit in need of a healing touch. Never does Ben imagine that hope will come in the form of a beautiful woman who has seen her own share of suffering. After the lingering death of her husband, Samantha McKay is at the mercy of her oppressive in-laws - until she plots an escape to distant Wales to claim a house she has inherited. Being a gentleman, Ben insists that he escort her on the fateful journey. Ben wants Samantha as much as she wants him, but he is cautious. What can a wounded soul offer any woman? Samantha is ready to go where fate takes her, to leave behind polite society and even propriety in her desire for this handsome, honorable soldier. But dare she offer her bruised heart as well as her body? The answers to both their questions may be found in an unlikely place: in each other's arms.
A love that cannot be bought or sold proves to be the greatest gift of all, in this heartwarming classic that demonstrates once again why New York Times bestselling author Mary Balogh is among the most celebrated authors of historical romance. Weddings are supposed to be joyous occasions—especially when a couple seems as well matched as Randolph Pierce, Earl of Falloden, and his bride-to-be, Eleanor Transome. Ellie brings to the marriage a vast dowry, while Falloden, though distant, is handsome, tremendously desirable, and possessed of a title most young ladies can only dream of sharing. Yet Ellie is not most young ladies. She knows that she must honor her dear father’s dying wish for her to wed the proud earl, but she dreads a lifetime in a union without love—and how can Falloden claim to love her when he married her only for her fortune? As Christmas descends upon the Falloden manor, the warmth of the season may yet melt away the trappings of duty and wealth, leaving behind only a man and a woman destined for each other’s arms.
Hannah Reid, born a commoner, has been Duchess of Dunbarton since she was nineteen years old, the wife of an elderly Royal to whom she is rumoured to be consistently and flagrantly unfaithful. Now the old Duke is dead and, more womanly and beautiful than ever at thirty, Hannah has her freedom at last. And she knows just what she wants to do with it. To the shock of a conventional friend, she announces her intention to take a lover - and not just any lover, but the most dangerous and delicious man in all of upper class England: Constantine Huxtable. Constantine's illegitimacy has denied him the title of Earl, but otherwise he denies himself nothing. Lounging in a country house he populates with trollops, vagabonds and thieves, drinking deep from the goblet of his own carnal lust, he always chooses recent widows for his short-lived affairs. Hannah will fit the bill nicely. But once these two passionate and scandalous figures find each other, they discover it isn't so easy to extricate oneself from the fires of desire - without getting singed.
Geraint Penderyn grew up in dire poverty with his mother in Wales until it was discovered that, as she had always claimed, he was the legitimate child of the Earl of Wyvern's deceased son. Geraint was snatched away from all that was familiar and dear to him—his mother, his friends, the girl he loved—and sent to school in England to be educated as an English gentleman and future earl. Now, years later, he is back as the new Earl of Wyvern, only to discover that all is not well with his home and his people. His fellow landowners—and his own steward—have been oppressing their tenant farmers and driving them from the land. The farmers are fighting back by destroying the tollgates that ha...
Voted the Romantic Times Best New Regency Writer in 1985, Mary Balogh has since become the genre's most popular and bestselling author. Set in Wales in 1839, Longing tells the story of a passionate romance between a widowed English aristocrat who inherits a large mine and the Welsh woman he hires as the governess of his daughter. Advertising in Romantic Times.
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Mary Balogh evokes all the passion and splendor of Victorian London. From her descriptions of everything from clothing to ballrooms and carriages, she captures the opulence of the era. And through her sympathetic portrayal of a Duke and a Lady struggling to heal a troubled marriage, she creates a love story as timeless as it is compelling.