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New England blossomed in the nineteenth century, producing a crop of distinctively American writers along with distinguished philosophers and jurists, abolitionists and scholars. A few of the female stars of this era-Emily Dickinson, Margaret Fuller, and Susan B. Anthony, for instance-are still appreciated, but there are a number of intellectual women whose crucial roles in the philosophical, social, and scientific debates that roiled the era have not been fully examined. Among them is the astronomer Maria Mitchell. She was raised in isolated but cosmopolitan Nantucket, a place brimming with enthusiasm for intellectual culture and hosting the luminaries of the day, from Ralph Waldo Emerson t...
Doss's charming, touching, and at times hilarious chronicle tells how each of the children, representing white, Chinese, Japanese, Filipino, Korean, Mexican, and Native American backgrounds, came to her and husband Carl, a Methodist minister. She writes of the way the "unwanted" feeling was erased with devoted love and understanding and how the children united into one happy family. Her account reads like a novel, with scenes of hard times and triumphs described in vivid prose. The Family Nobody Wanted, which inspired two films, opened doors for other adoptive families and was a popular favorite among parents, young adults, and children for more than thirty years. Now this edition will introduce the classic to a new generation of readers. An epilogue by Helen Doss that updates the family's progress since 1954 will delight the book's loyal legion of fans around the world.
Adoption and surrogate pregnancy are the two most realistic options currently available for millions of couples unable to have biological children. In the past decade, international adoption has become popular among those who wish to avoid the wait associated with adopting domestically. Yet because of unique political, economic, and cultural circumstances within individual countries, international adoption is fraught with legal controversies and difficulties. Surrogate pregnancy is a relatively new and inherently complicated alternative. With few regulations to guide the process and protect those involved, however, countries struggle to address its ethical and moral questions, in addition to...
Reveals that behind the going concern for “global economy education” lies capitalism’s indifference to human values, to a fair distribution of resources, to its radical restructuring of workplaces with an attendant intensification of work effort, and to the genuine well-being of workers and their families. Coles provides a real education about the twenty-first-century global economy—and what corporations are doing to prevent our learning about it. He describes the intellectually narrow and morally crippling effects of the corporate-control of education; how the imperative for profit maximizes the misunderstanding of communities, nations, and the environment, even as it minimizes aesthetic appreciation, cultural expression, compassion itself. But it is by understanding all this, Coles argues, that real change can begin. --Adapted from publisher description.
The inspiring story of how Keith Plessy and Phoebe Ferguson, descendants of key figures in the infamous Supreme Court case Plessy v. Ferguson, have come together to fight for racial equality. Keith Plessy and Phoebe Ferguson were both born in New Orleans in 1957. Sixty-five years earlier, in 1892, a member of each of their families met in a Louisiana courtroom when Judge John Howard Ferguson found that Homer Plessy could be charged with breaking the law by sitting in a train car for white passengers. The case of Plessy v. Ferguson went all the way to the U.S. Supreme Court, which ruled that “separate-but-equal” was constitutional, sparking decades of unjust laws and discriminatory attitu...
On June 25, 2013, the U.S. Supreme Court heard the case "Adoptive Couple vs. Baby Girl," which pitted adoptive parents Matt and Melanie Capobianco against baby VeronicaOCOs biological father, Dusten Brown, a citizen of the Cherokee Nation of Oklahoma. VeronicaOCOs biological mother had relinquished her for adoption to the Capobiancos without BrownOCOs consent. Although Brown regained custody of his daughter using the Indian Child Welfare Act (ICWA) of 1978, the Supreme Court ruled in favor of the Capobiancos, rejecting the purpose of the ICWA and ignoring the long history of removing Indigenous children from their families. aIn "A Generation Removed," a powerful blend of history and family s...
This book engages cosmopolitanism—a critical mode which moves beyond cultural pluralism by simultaneously privileging difference and commonality—in order to examine its particular deployment in the work of several African American writers. Deeply influenced and inspired by W. E. B. Du Bois, the writers closely examined in this study—Jean Toomer, Jessie Fauset, Langston Hughes and Albert Murray—have advanced cosmopolitanism to meet its own theoretical principals in the contested arena of racial discourse while remaining integral figures in a larger tradition of cosmopolitan thought. Rather than become mired in fixed categorical distinctions, their cosmopolitan perspective values the pluralist belief in the distinctiveness of different cultural groups while allowing for the possibility of inter-ethnic subjectivities, intercultural affiliations and change in any given mode of identification. This study advances cosmopolitanism as a useful model for like-minded critics and intellectuals today who struggle with contemporary debates regarding multiculturalism and universalism in a rapidly, yet unevenly, globalizing world.
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Who is taken seriously as an artist? What does gender have to do with it? Is there a relationship between artistic creation and physical procreation? In Masculine Pregnancies, Aimee Armande Wilson argues that modernist writers used depictions of "mannish" pregnant women and metaphors of male pregnancy to answer these questions. The book places "masculine pregnancies" in works by Djuna Barnes, Willa Cather, William Faulkner, and Ezra Pound in the context of interwar debates about eugenics, immigration, midwifery, and sexology in order to redefine the relationship between creativity and gender in modernism. Attending to recent developments in queer theory, Wilson challenges the critical assumption that figures of masculine pregnancy necessarily reinforce oppressive norms. The book's first half shows how some writers indeed used such figures to delegitimize artists who were not white, male, and heterosexual. The second half then shows how others used masculine pregnancies to extend legitimacy to mannish women, dark-skinned immigrants, and their (pro)creations—and did so a century before the current boom in queer pregnancy narratives.
This groundbreaking work uses psychoanalysis to reinvigorate Harlem Renaissance studies. In detailed, focused sections, Poetry, Desire, and Fantasy in the Harlem Renaissance explores issues of white subjectivity in Hughes and Hurston; the embrace of primitivism by Claude McKay; musings on racial transformation and racial hierarchies; and the decline of the Harlem Renaissance.