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Confronting Patriarchy: Psychoanalytic Theory in the Prose of Cristina Peri Rossi examines three works of the contemporary Uruguayan author who lives in exile as she dialogues with the psychoanalytic discourse endemic to patriarchal society. Peri Rossi's prose, structured like unconscious productions that give free expression to desire and passion as emanating from the forbidden recesses of the psyche, powerfully reveals the message as a treatment for an «ill» society. The language in the three works studied facilitates and reveals the male protagonist's interaction with the desired female object as a regression to a semiotic, pre-oedipal state in a type of «return of the repressed» of consuming desire that has been written out of mainstream patriarchy and that serves to challenge its rational, symbolic order. It is from this vantage point that the author attempts to re-write the conclusions obtained through Lacanian and patriarchal discourse so that woman can emerge as a subject in her own right.
Hasta la fecha invisibilizada, la poética comparada de mujeres es una nueva disciplina transversal en los Estudios Literarios cuyos textos, teoría, metodología y práctica transformarán por complete la lectura y la crítica de poesía en lo sucesivo. Rendered invisible until now, Comparative Women’s Poetics is a new transversal discipline in Literary Studies whose texts, theories, methodology and practice will completely transform the reading and criticism of poetry in the future.
The Cambridge Companion to Latin American Poetry provides historical context on the evolution of the Latin American poetic tradition from the sixteenth century to the present day. It is organized into three parts. Part I provides a comprehensive, chronological survey of Latin American poetry and includes separate chapters on Colonial poetry, Romanticism/modernism, the avant-garde, conversational poetry, and contemporary poetry. Part II contains six succinct essays on the major figures Sor Juana Inés de la Cruz, Gabriela Mistral, César Vallejo, Pablo Neruda, Carlos Drummond de Andrade, and Octavio Paz. Part III analyses specific and distinctive trends within the poetic canon, including women's, LGBT, Quechua, Afro-Hispanic, Latino/a and New Media poetry. This Companion also contains a guide to further reading as well as an essay on the best English translations of Latin American poetry. It will be a key resource for students and instructors of Latin American literature and poetry.
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Collection of erotic poetry from Uruguay, with translations.Banned by the military leadership in 1971. [erotic] [lesbian]