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The first book-length biography of a theater icon South Pacific. The Sound of Music. Peter Pan. As the star of these classic Broadway musicals, Mary Martin captivated theater audiences with her impish persona and magnificent voice. Now Ronald L. Davis fills a major gap in theater history, moving beyond Martin’s own 1976 memoir to provide a complete picture of her life and career. Lively and engaging, Davis’s biography is the first book-length portrait of the theater icon, spanning her lifetime to reveal facts about her childhood, marriages, and friendships—as well as artistic collaborations that included the likes of Rodgers and Hammerstein, Cole Porter, and Elia Kazan. Born in Weather...
A provocative imagining of the later years of the mother of Jesus finds her living a solitary existence in Ephesus years after her son's crucifixion and struggling with guilt, anger, and feelings that her son is not the son of God and that His sacrifice was not for a worthy cause.
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Harry Woodstock is a lazy but amiable criminal who would rather live by fraud than by working .He is very comfortable in prison. When out of prison he tries to avoid a violent criminal. Understandably, Harry feels safer in prison so thinks up ways to get himself inside again. His amusing story ends with an ingenious solution.
An unprecedented exploration of Gauguin's works in various media, from works on paper to clay and furniture Paul Gauguin (1848-1903) was a creative force above and beyond his legendary work as a painter. Surveying the full scope of his career-spanning experiments in different media and formats--clay, works on paper, wood, and paint, as well as furniture and decorative friezes--this volume delves into his enduring interest in craft and applied arts, reflecting on their significance to his creative process. Gauguin: Artist as Alchemist draws on extensive new research into the artist's working methods, presenting him as a consummate craftsman--one whose transmutations of the ordinary yielded ne...
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The first volume to chart the rich and reciprocal relationship between drawing and printmaking from the fifteenth to nineteenth centuries While often viewed and studied separately, drawings and prints have always been closely intertwined. They facilitated and generated the production of one another, and in some instances, clear distinctions between the two dissolved. Many artists created drawings specifically intended for translation into print, and an even greater number used prints as a training tool, copying from them to hone drawing skills. This reciprocal relationship goes even deeper, however, as innovative artists made fascinating hybrid works that blurred the boundaries between the t...