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Centering in Pottery, Poetry, and the Person
A flowing collection of poetry that is also a guide for life.
The Crossing Point
A stunning example of poetic questioning. Mary Caroline Richards - "M.C." to her friends - attended Reed College (A.B.) and the University of California (M.A., Ph.D.). Her professional life began conventionally enough, as member of the English faculty at California, Central Washington, Chicago, Black Mountain. These assignments brought her face to face with a question: "Why is it we are all so well-educated and brilliant and gifted and artistic and idealistic and distinguished in scholarship, that we are so selfish and scheming ad dishonest and begrudging and impatient and disrespectful of others?" The answer, she concluded was to be sought in arts of transformation: pottery, poetry, alchemy...
Imagine Inventing Yellow
M.C. Richards' CENTERING, published 25 years ago, went on to sell 120,000 copies and became a classic on the melding of spirit and art and the discovery of the self through creativity. This is the first major collection of her richly imagistic poetry which combines previous work with new poems written in the past decade. Richards here inquires about the essence and power of the imagination, and advocates viewing the world in images that "make us whole." "The world will change," she says, "when we imagine it differently," This new book includes eight color paintings by Thomas Buechner, with the poems they inspired.
Live Form
Sorkin focuses on three Americans who promoted ceramics as an advanced artistic medium: Marguerite Wildenhain, a Bauhaus-trained potter and writer; Mary Caroline (M. C.) Richards, who renounced formalism at Black Mountain College to pursue new performative methods; and Susan Peterson, best known for her live throwing demonstrations on public television. Together, these women pioneered a hands-on teaching style and led educational and therapeutic activities for war veterans, students, the elderly, and many others.
Toward Wholeness
For Rudolf Steiner, life can be truly understood only if it is experienced as art is experienced, as inner activities expressed through physical materials. On this ground of the union of inner experience and sensory life, he developed his unique, holistic approach to education. Richards views Steiner schools as expressing a new educational consciousness appropriate for our time, a "grammar of interconnections" among scientific observational, artistic imagination, religious reverence, and practical activity in which every part bears a deep connection.
John Cage's Theatre Pieces
The experimental composer John Cage (1912-1992) is best known for his works in percussion, prepared piano, and electronic music, but he is also acknowledged to be one of the most significant figures in 20th century theatre. In Cage's work in theatre composition there is a blurring of the distinctions between music, dance, literature, art and everyday life. Here, William Fetterman examines the majority of those compositions by Cage which are audial as well as visual in content, beginning with his first work in this genre in 1952, and continuing through 1992. Much of the information in this study comes from previously undocumented material discovered among the unpublished scores and notes of Cage and his frequent collaborator David Tudor, as well as author's interviews with Cage and with individuals closely associated with his work, including David Tudor, Merce Cunningham, Bonnie Bird, Mary Caroline Richards, and Ellsworth Snyder.
Mary Gladstone and the Victorian Salon
This volume reveals music's role in Victorian liberalism and its relationship with literature, locating the Victorian salon within intellectual and cultural history.
Black Mountain Poems
An essential selection of one of the most important twentieth-century creative movements Black Mountain College had an explosive influence on American poetry, music, art, craft, dance, and thought; it’s hard to imagine any other institution that was so utopian, rebellious, and experimental. Founded with the mission of creating rounded, complete people by balancing the arts and manual labor within a democratic, nonhierarchical structure, Black Mountain was a crucible of revolutionary literature. Although this artistic haven only existed from 1933 to 1956, Black Mountain helped inspire some of the most radical and significant midcentury American poets. This anthology begins with the well-known Black Mountain Poets—Charles Olson, Robert Creeley, Robert Duncan, and Denise Levertov—but also includes the artist Josef Albers and the musician John Cage, as well as the often overlooked women associated with the college, M. C. Richards and Hilda Morley.
Daddy's Little Girl
Ellie Cavanaugh was only seven years old when her fifteen-year-old sister, Andrea was murdered. Ellie's testimony was vital to the conviction of Rob Westerfield, son of a wealthy, prominent family. Twenty-two years later Ellie remains convinced of Westerfield's guilt. When he is released on parole and attempts to prove himself the victim of a miscarriage of justice, Ellie begins work on a book she believes will prove Westerfield's guilt beyond doubt. As she delves deeper into her research, she uncovers horrifying facts that shed new light on her sister's murder. And with each new discovery she comes closer to a confrontation with a desperate killer. . .
