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This is a rare biography of the pioneering Australian author, Mary Gaunt. Born on the Victorian Goldfields in Chiltern in 1861, Mary was well-educated and well-connected. She was a tomboy and a rebel - her father encouraged her, her mother disapproved. One of the first female students to attend the University of Melbourne, she wrote articles and stories in order to fund her travels. She trekked through the great mahogany forests of West Africa. She went to China in the chaos that followed the downfall of the Ch'ing dynasty, and narrowly avoided the marauding White Wolf. She proved that a woman could live by her pen in that era. When war came, she was trapped behind enemy lines and never made it home to Australia.
A classic collection of short stories by Australian writer Mary Gaunt, featuring the following: TROTTING COB, CHRISTMAS EVE AT WARWINGIE, LOST, THE LOSS OF THE "VANITY", DICK STANESBY'S HUTKEEPER, THE YANYILLA STEEPLECHASE, A DIGGER'S CHRISTMAS.
Travel writer, explorer and novelist. 'Gaunts never give up', the motto of Mary's ancestor, Prince John of Gaunt (1340-1399) was quoted by Mary's father, William Gaunt, to his children. In the 1880s, Mary Gaunt was one of the first women admitted to Melbourne University. Miss Gaunt's desire to study law was denied since male academics believed women incapable of studying 'difficult' subjects. In 1909, Mary, now widowed, led her own expedition into the West African jungle, staying in remote villages to gather information for her book 'Alone in West Africa'. In 1913, in the absence of sealed roads, Mary travelled in a bone-shaking mule cart from Peking to the edge of the Gobi desert and return...
Mary Eliza Bakewell Gaunt (1861-1942), was an Australian novelist. she was educated at Grenville College, Ballarat, where her facility in writing was noted. Mary Gaunt believed that a woman had the right to follow her own career and be financially independent, even if married. On 19 March 1881 she was one of the first women to sign the matriculation roll of the University of Melbourne; she began an arts course but did not continue after poor results in her first year. She turned to writing: 'It was my ambition to be a writer', she recalled, 'I wrote merely because I wanted to make money', and money was 'a means of locomotion'. Drawing on childhood memories of goldfield towns and her brothers' yarns of exotic places, she contributed articles and stories to Australian and overseas papers and magazines. One of her earliest pieces was an article on gold for Cassell's Picturesque Australasia. Her earnings enabled her to travel to England and India...
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Caroline Chisolm's hard work and determination changed the history of female migration to Australia and ensured better conditions for families on migrant ships and offered them paid work.Eliza Hawkins was a trailblazer, surviving a dangerous journey as the first European woman to cross the Blue Mountains to Bathurst, travelling by horse and cart.Mary Gaunt from Ballarat dared to lead her own expeditions in West Africa and China, travelling from Peking to the edge of the Gobi desert in a mule cart and became a very popular travel writer and novelist.Hilda Rix Nicholas fought for women painters to be taken seriously and held successful exhibitions in France and Britain, before returning to Aus...
Mary Eliza Bakewell Gaunt (1861-1942) was an Australian novelist. She was educated at Grenville College and the University of Melbourne, where she was one of the first two women students to enroll. She began writing for the press and in 1894 published her first novel Dave's Sweetheart. After her husband's death she went to London intending to live by her pen. She had difficulties at first but eventually established herself, and was able to travel in the West Indies, in West Africa, and in China and other parts of the East. Her experiences were recorded in five pleasantly written travel books: Alone in West Africa (1912), A Woman in China (1914), A Broken Journey (1919), Where the Twain Meet (1922), Reflection - in Jamaica (1932).
By means of contextualized readings, this work argues that autobiographic writing allows an intimate access to processes of colonization and decolonization, incorporation and resistance, and the formation and reformation of identities which occurs in postcolonial space. The book explores the interconnections between race, gender, autobiography and colonialism and uses a method of reading which looks for connections between very different autobiographical writings to pursue constructions of blackness and whiteness, femininity and masculinity, and nationality. Unlike previous studies of autobiography which focus on a limited Euro American canon, the book brings together contemporary and 19th-century women's autobiographies and travel writing from Canada, the Caribbean, Kenya, South Africa, Australia and New Zealand. With emphasis on the reader of autobiography as much as the subject, it argues that colonization and resistance are deeply embedded in thinking about the self.