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Communist Posters
One of the common features of communist regimes is the use of art for revolutionary means. Posters in particular have served as beacons of propaganda--vehicles of coercion, instruction, censure and debate--in every communist nation. They have promoted the authority of state and revolution, but have also been used as an effective means of protest. By their nature, posters are ephemeral, tied to time and place, but many have had far-reaching, long-lasting impact. They are imbued with both artistic integrity and personal conviction--Bolshevik posters, for example, are among the most vibrant, passionate graphics in art history. This is the first truly global survey of the history and variety of communist poster art. Each chapter is written by an expert in the field, and examines a different region of the world: Russia, China, Mongolia, Eastern Europe, North Korea, Vietnam and Cuba. This beautifully illustrated, comprehensive survey examines the broad range of political and visual cultures of communist posters, and will appeal to a wide audience interested in art, history and politics.
The Art of Influence
Drawing on the British Museum's wide ranging collection, this book provides a fascinating contextual survey of political art across Asia, covering the period from about 1900 to 1976. This title is only available through Hotei Publishing in the United States of America, Canada and the Philippines.
My Own Words
"The first book from Ruth Bader Ginsburg since becoming a Supreme Court Justice in 1993--a ... collection of writings and speeches from the woman who has had [an] ... influence on law, women's rights, and popular culture"--
Who's Who in Twentieth Century World Poetry
The definitive biographical guide to poetry throughout the world in the twentieth century and the only book of its kind to look at non-English language poets in such detail. Written in lively prose, with over 900 entries by over 75 international contributors, it brings a uniquely global perspective to bear on modern verse, encapsulating the lives and works of a vast array of poets in precise, compact detail alongside expert critical comment. Who's Who in Twentieth Century World Poetry is a scholarly and hugely enjoyable guide through the diverse arena of modern international poetry.
Collecting the Revolution
In the late 1960s, student protests broke out throughout much of the world, and while Britain’s anti-Vietnam protestors and China’s Red Guards were clearly radically different, these movements at times shared inspirations, aspirations, and aesthetics. Within Western popular media, Mao’s China was portrayed as a danger to world peace, but at the same time, for some on the counter-cultural left, the Cultural Revolution (1966–1976) contained ideas worthy of exploration. Moreover, because of Britain’s continued colonial possession of Hong Kong, Britain had a specific interest in ongoing events in China, and information was highly sought after. Thus, the objects that China exported—pr...
Diplomacy in Southeastern Europe
This issue of zeitgeschichte off ers a comprehensive survey of aspects of Yugoslav foreign policy during Cold War détente. Due to its geostrategic location on the Balkan peninsula, Yugoslavia became an important focus for the U.S.S.R. and the United States during the East–West confl ict. After the break with Stalin in 1948, the Yugoslav "leader" Tito sought to position Yugoslavia as a non-aligned state on the international level and played a hegemonic role in the Non-Aligned Movement (NAM). The articles analyze Yugoslav policy in the 1960s and 1970s, examining its intentions, its developments, its strategic advantages, and its limits in the context of (geo-)political, economic, and cultural circumstances, with a focus on non-alignment as a leitmotiv of Yugoslav political ambitions, political and economic relations between Yugoslavia and countries of the NAM, the role of the Balkans in U.S. Cold War policy, and aspects of Yugoslav labor migration.
Chinese Painting and Its Audiences
A history of the reception of Chinese painting from the sixteenth century to the present What is Chinese painting? When did it begin? And what are the different associations of this term in China and the West? In Chinese Painting and Its Audiences, which is based on the A. W. Mellon Lectures in the Fine Arts given at the National Gallery of Art, leading art historian Craig Clunas draws from a wealth of artistic masterpieces and lesser-known pictures, some of them discussed here in English for the first time, to show how Chinese painting has been understood by a range of audiences over five centuries, from the Ming Dynasty to today. Chinese Painting and Its Audiences demonstrates that viewers...
The Silk Road
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