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"The Mary Griggs Burke Collection, represented in this volume and in the exhibition it accompanies, is a testimony to the intensity and selectivity of Mrs. Burke's collecting, guided by a discerning eye, a deep affection for Japan, and an appreciation of the country's cultural heritage." "Long recognized as one of the finest collections of Japanese art in private hands, the Mary Griggs Burke Collection is the largest and most comprehensive outside Japan." "While it provides a historical overview of the development of Japanese art, the collection illustrates as well Japan's capacity to foster divergent artistic traditions both from other cultures and from those that reflect indigenous tastes. It also demonstrates the profound impact of Buddhism on Japanese culture, the tastes and values of the courtly and military elite, and the interests of patrons who range from Sinophile rulers and scholars to pleasure-seeking urbanites."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
St. Paul's Parish, which occupies land in what is now King George County, was in Stafford County until 1777. Since most of the early records of Stafford County were destroyed, the 4,000 birth, marriage, and death records found in this transcription are of great importance.
Superb Yokai images from the world's leading museums and private collections! Japan's vast pantheon of supernatural creatures includes demons (yokai), monsters, ogres (oni), ghosts (yurei) and magicians—mythical beings from folklore and popular culture which continue to thrill readers of traditional stories and manga today. This richly illustrated book by Andreas Marks, the leading authority on Japanese woodblock prints, presents authentic illustrations and descriptions of 100 different creatures, including: Bakeneko: Monster cats in human form who lick lamp oil and prey on humans born in the year of the Rat Han'nya: Female demons with sharp and pointed horns, metallic eyes and a smirking ...
St. Mary's residents played a key role in the development of the Catholic Church throughout the whole of America, providing the spearhead of the westward expansion of Catholicism. In 1785, for example, the first of many Catholic families from St. Mary's crossed the mountains to find land in Kentucky, while a few years later, driven by economic necessity, others migrated to Georgia, Missouri, Louisiana, and Texas. Mr. O'Rourke has collected many of the earliest surviving records of the Catholic families of St. Mary's County, Maryland. The most significant portion of the work contains the marriages and baptisms from the Jesuit parishes of St. Francis Xavier and St. Inigoes, which, in the case of baptisms (1767-1794), give the names of children, parents, and godparents, and the date of baptism; and in the case of marriages (1767-1784), the names of the married partners and the date of marriage.
To Be Frank and Earnest By: David K. Meyers Frank Malloy's desire to know about his father results in finding more than he is willing to immediately accept because he discovers his newly found family is more different than he ever imagined. The fictional story of Frank's paternal family is historically factual and accurate. The documented information interwoven into this tale is meant to illustrate how legal systemic racial hypocrisy influenced the life decisions of the real and fictitious characters in this story. What makes the story unique is the amount of fully verifiable information from official sources such as court and census records. Although many if not most African-American families have similar stories that emanate from slavery, this is one of the fewer stories that can be fully documented back into the slave era, making it very unique. The relevance is that it contributes to today's growing discussions regarding the racial attitudes embedded in modern American society. It is the author’s hope that this book contributes positively in this national discussion in an entertaining yet enlightening manner.
Published to accompany the exhibition held at the Metropolitan Museum of Art, New York, 28 March - 25 June 2000.