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The Medici
'This forensic study of the Renaissance banking dynasty conjures up a world of art, literature, philosophy – and brutality' Telegraph 'Likely to become the standard work of reference on the members of the family that dominated Florence' TLS 'A lucid and beautifully illustrated family history' The Times Wealthy bankers, wise politicians, patrons of the arts, glittering dukes... so runs the traditional telling of the story of the Medici, the family that ruled Florence for two hundred years and inspired the birth of the Italian Renaissance. In this definitive account of their rise and fall, Mary Hollingsworth argues that the idea that the Medici were wise rulers and enlightened fathers of the Renaissance is a fiction. In truth, she says, the Medici were as devious and immoral as the Borgias – tyrants loathed in the city they illegally made their own and which they beggared in their lust for power.
Princes of the Renaissance
A beautifully illustrated history of the Renaissance told through the lives of its most important and influential patrons. 'Exceptionally sumptuous... This vivid history brings to life the vices and virtues of the feuding ruling families of Italy.' Michael Prodger, The Times 'Full of treasures to be uncovered... A chance to visit a glittering, at times rather gory, world that is different and yet dreamily familiar to our own.' BBC History Revealed From the late Middle Ages, the independent Italian city-states were taken over by powerful families who installed themselves as dynastic rulers. Inspired by the humanists, the princes of fifteenth- and sixteenth-century Italy immersed themselves in...
The Medici
'This forensic study of the Renaissance banking dynasty conjures up a world of art, literature, philosophy - and brutality' Telegraph'Likely to become the standard work of reference on the members of the family that dominated Florence' TLS'A lucid and beautifully illustrated family history' The TimesWealthy bankers, wise politicians, patrons of the arts, glittering dukes... so runs the traditional telling of the story of the Medici, the family that ruled Florence for two hundred years and inspired the birth of the Italian Renaissance.In this definitive account of their rise and fall, Mary Hollingsworth argues that the idea that the Medici were wise rulers and enlightened fathers of the Renaissance is a fiction. In truth, she says, the Medici were as devious and immoral as the Borgias - tyrants loathed in the city they illegally made their own and which they beggared in their lust for power.
Borgias
The Borgias have become a byword for pride, lust, cruelty, avarice, splendour and venomous intrigue. An inspiration for many works of fiction, most famously Mario Puzo's The Godfather, they have aroused abomination and fascination in almost equal measure, while their patronage of the arts created some of the great masterpieces of the Renaissance. From the powerful, merciless Rodrigo Borgia, better known as Pope Alexander VI, to the beautiful Lucrezia and the debauched and murderous Cesare, Mary Hollingsworth's account of the dynasty's dramatic rise from its Spanish roots to the heights of Renaissance society forms a compelling tale of brutality, incest, unparalleled corruption and extortionate greed.
The Cardinal's Hat
“A riveting portrait of the day-to-day life of a wealthy, worldly Renaissance prince” as he pursues power and influence in the Catholic church (USA Today). The second son of Alfonso d’Este and Lucretia Borgia, the Duke and Duchess of Ferrara, Ippolito d’Este was made the archbishop of Milan at the age of nine. But from the time of his father’s death in 1534, he set his ambitions on acquiring the powerful and coveted cardinal’s hat. But one did not become a sixteenth century prince of the church through piety and good works. Ippolito had a taste for gambling and women. He enjoyed hunting in the Loir valley and pursued his ambition with money, schmoozing, and the dark arts of polit...
Art in World History 2 Vols
This is a collection of two volumes covering the History of Art and its relationship with human development, religion and cultures. Volume One starts from the early civilisations and the origins of art in early artifacts, the kingdoms of Mesopotamia and Ancient Egypt, Eastern Mediterranean and the empire in China. It continues onto the sixteenth century, taking in Classical Greece and Rome; Byzantine Art, the Carolingian Empire, explain to the rise of Islamic African Art and the development of India Art around the religions of Buddhism, Jainism and Hinduism, as well as Chinese Art of Taoism and Confucianism. Much of art in the medieval age was influenced by the conquests, religion and faith ...
Conclave 1559
Intrigue, double-dealing and conspiracy in the Eternal City. 'A fascinating narrative of the intermingling of secular and religious power' New Statesman 'A highly enjoyable and thrilling read... Hollingsworth has peeled back the veil of secrecy surrounding papal conclaves' History Today 'Full of lively detail and colour' Literary Review August 1559. As the long hot Italian summer draws to its close, so does the life of a rigidly orthodox and profoundly unpopular pope. The papacy of Paul IV has seen the establishing of the Roman Inquisition and the Index of Prohibited Books, an unbending refusal to open dialogue with Protestants, and the ghettoization of Rome's Jews. On 5 September 1559, as t...
Patronage in Renaissance Italy
'A superb, information-packed book' The Art Book 'A vivid, lively account of a complex society in which art was made to express the wealth, status, worldly concerns and religious aspirations of its patrons.' Art Quarterly 'She writes authoritatively, drawing on a vast store of knowledge.' Frances Spalding, The Sunday Times 'A refreshing contrast to the abstraction and intellectual constipation that characterise much of the cultural history written in Italy.' Apollo A comprehensive study of the patrons of fifteenth-century Italian art, this book investigates the role they played in the evolution of the Renaissance and the revival of the styles and themes of the art of ancient Rome. This proce...
Architecture of the 20th Century
This book explores the changes that have taken place in architecture in the twentieth century.
Patronage in Sixteenth-century Italy
This work describes art patronage in 16th-century Italy. For example, it was the time when Julius II and Bramante embarked upon rebuilding St Peter's; Paul III commissioned Michelangelo to paint the Last Judgement; and Sixtus V and Domenico Fontana transformed the urban fabric of Rome. Other great projects included Borromeo and Pellegrino Tibaldi introducing the ideals of the Counter-Reformation in an ambitious programme of religious architecture in Milan; the centre of Venice being dramatically remodelled by the city's government and Jacopo Sansovino; wealthy Venetian patricians building beautiful villas in the Veneto from designs by Pallado, and commissioning their altarpieces and portraits from artists of the calibre of Titian and Tintoretto. At the same time, Giulio Romano built and decorated the Palazzo del Te for Federigo Gonzaga and, perhaps in the most famous partnership of all, Vasari gave visual expression to Cosimo I's ambition in an enormous programme of building and embellishment that established Florence as a centre of artistic excellence.
