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An analysis of the American beauty industry discusses the marketing efforts of top cosmetics companies, identifies trends in fashion, and considers the psychological factors that contributes to the industry's success.
"Suit sales are on the rise. Men's makeovers are a staple of reality television, and male celebrities retain stables of stylists. Magazine publishers are busily launching male style spin-offs, while business and news titles are just as busy beefing up their coverage of men's fashion and grooming. As we enter the 21st century, there is more interest over menswear than there's been in decades, yet there has been no comprehensive resource or reference until now. Witty and exhaustively researched, The Fairchild Encyclopedia of Menswear remedies that need for students, retailers, costumers, journalists, would-be dandies, and anyone else who is interested in what men wear and why they wear it." --Book Jacket.
Beauty is a multi-billion dollar global industry embracing make-up, skincare, hair care, fragrances, cosmetic surgery - even tattooing and piercing. Over the years it has used flattery, seduction, science and shame to persuade consumers to invest if they want to look their best. Branded Beauty delves into the history and evolution of the beauty business. From luxury boutiques in Paris to tattoo parlours in Brooklyn, it contains interviews with the people who've made skin their trade. Analyzing the marketing strategies used by those who create and sell beauty products, it visits the labs where researchers seek the key to eternal youth. It compares attitudes to beauty from around the world and examines the rise of organic beauty products. Full of fascinating detail from great names such as Rubinstein and Arden, Revlon, Estée Lauder, L'Oréal and Max Factor, Branded Beauty is the ultimate guide to the current state of the industry and what the future holds for the beauty business.
First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
Color is a visible technology that invisibly connects so many puzzling aspects of modern Western consumer societies—research and development, making and selling, predicting fashion trends, and more. Building on Regina Lee Blaszczyk’s go-to history of the “color revolution” in the United States, this book explores further transatlantic and multidisciplinary dimensions of the topic. Covering history from the mid nineteenth century into the immediate past, it examines the relationship between color, commerce, and consumer societies in unfamiliar settings and in the company of new kinds of experts. Readers will learn about the early dye industry, the dynamic nomenclature for color, and efforts to standardize, understand, and educate the public about color. Readers will also encounter early food coloring, new consumer goods, technical and business innovations in print and on the silver screen, the interrelationship between gender and color, and color forecasting in the fashion industry.
People are chemical machines, yet we (and some other animals) develop a sense of beauty. Why and how did it evolve? How is it formed? This book answers these questions from the perspective of scientists with deep knowledge of the arts. It interweaves experimental sciences with the histories of art, architecture, music, dance, speech, literature, and food. Although we perceive each of our senses to be dramatically different, the authors show them all to be similar under the hood—similar in how they function and in how they shape our aesthetic experience. The authors cover many fields, and do not assume the reader has any special knowledge or expertise. They avoid jargon, equations and formulae, and begin every discussion at an introductory level. However, introductory does not mean elementary. This is a broad knife that cuts deep.
Tells the story of how cosmetics came to be regulated in early 20th century America. Examines the cosmetics industry in light of the 1938 Food, Drug, and Cosmetics Act.
"HAIR-sterical! Hair-A-Baloo will make you laugh and cry, much the way you do on your worst hair day. Who needs Dr. Phil when we have Patricia Wynn Brown--the hair doctor. Her wit and wisdom make us realize that hair really does make the world go round." --Tim Bete (Director of the Erma Bombeck Humor Conference and author of In the Beginning...There Were No Diapers.) Hair-A-Baloo proves it: "It's all about the hair." Hair can make us laugh...cry...and a single strand can send us to prison for life! Who hasn't experienced a touch of hair envy or left the hair salon with a poodle perm? We spend so much time with the mops on top of our heads that it's become a subject for movies, musicals, and gossip columns. We copy celebrity hairstyles, spend hundreds on hair products, and constantly concoct homemade hair treatments in our kitchen. Hair has even played a major role throughout history. Who could forget Samson and Delilah or the 1920s, when every woman in America wanted to bob her hair? This forty-billion-dollar industry is given the royal "treatment" with Brown's wicked sense of humor. Take a break from the blow dryer and curl up with Hair-A-Baloo.
Production Studies is the first volume to bring together a star-studded cast of interdisciplinary media scholars to examine the unique cultural practices of media production. The all-new essays collected here combine ethnographic, sociological, critical, material, and political-economic methods to explore a wide range of topics, from contemporary industrial trends such as new media and niche markets to gender and workplace hierarchies. Together, the contributors seek to understand how the entire span of "media producers"—ranging from high-profile producers and directors to anonymous stagehands and costume designers—work through professional organizations and informal networks to form communities of shared practices, languages, and cultural understandings of the world.