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In this memoir of love, loss, and Lewy body dementia (LBD), Mary Lou Falcone takes readers on a cathartic journey of caregiving that is filled with hope, laughter, and tears. At the age of ten, Mary Lou's life was forever changed when her father had a severe stroke that took away his ability to speak. While her mother worked three jobs, Mary Lou cared for not only her father but two younger siblings. Echoes of her childhood challenge return when she later faces the biggest test of her life: her soulmate of forty-seven years, the celebrated artist Nicky Zann, is diagnosed with the little-known disease Lewy body dementia, which ultimately claims his life. As her beloved husband's sole caregiver throughout this difficult period, Mary Lou discovers invaluable resources for dealing with LBD, all of which she shares with her readers. In addition to Mary Lou's firsthand account of her extraordinary journey, many friends and family, including world-renowned classical musicians, opera divas, directors, and actors, share their perspectives on her resilience in these pages. She emerges from great loss transformed and energized, as will the readers of I Didn't See It Coming.
The fascinating personal story of one of the most celebrated talents in today’s music scene The star of the Metropolitan Opera's recent revival of Dvorak's Rusalka, soprano Renée Fleming brings a consummately beautiful voice, striking interpretive talents, and compelling artistry to bear on performances that have captivated audiences in opera houses and recital halls throughout the world. In The Inner Voice—a book that is the story of her own artistic development and the “autobiography” of her voice—this great performer presents a unique and privileged look at the making of a singer and offers hard-won, practical advice to aspiring performance artists everywhere. From her youth as the child of two singing teachers through her years at Juilliard, from her struggles to establish her career to her international success, The Inner Voice is a luminous, articulate, and candid self-portrait of a contemporary artist—and the most revelatory examination yet of the performing life.
The Singer’s Audition & Career Handbook is a comprehensive guide to the training, audition technique, and professional development essential for launching and sustaining a rewarding career in classical singing. Expanding on author Claudia Friedlander’s online collaboration with mezzo-soprano Joyce DiDonato and the Weill Music Institute at Carnegie Hall, the book brings together insights from nearly seventy prominent performers, educators, and opera industry professionals. Whether you are a young singer preparing for conservatory auditions, a professional opera singer, or an avocational singer seeking to improve your technique and pursue local performance opportunities, this book will help you take inventory of your skills and achieve the next stages of your musical journey.
"An authoritative and exhaustive examination of John Crosby--the musician, the visionary, the impresario, the man--and his magnum opus, the Santa Fe Opera."--Juliana Gondek, professor of voice and opera studies, UCLA Herb Alpert School of Music
Chamber Music: A Listener's Guide brings together acclaimed program annotator James Keller's essays on the essential chamber-music repertoire. Written to be meaningful to non-professional music-lovers while also providing enrichment for chamber-music professionals, these notes offer generous historical background for 193 works by 56 composers from the 18th century to the present.
A comprehensive history of the creation and growth of Lincoln Center, exploring the interconnections between politicians, financiers, and performing artists "Masterful. . . . A powerful work of nonfiction with the drama of a novel."--Jaap van Zweden, Wall Street Journal In this comprehensive history of Lincoln Center for the Performing Arts, longtime Juilliard president Joseph Polisi guides us through the complex convergence of the worlds of politics, finance, and the performing arts throughout the years of the Center's history, including the roles played by Robert Moses, John D. Rockefeller 3rd, Leonard Bernstein, William Schuman, Elia Kazan, Joseph Papp, Alice Tully, Beverly Sills, and man...
Playing to the Camera is the first full-length study devoted to the musical performance documentary. Its scope ranges from rock concert films to experimental video art featuring modernist music. Unlike the "music under" produced for films by unseen musicians, on-screen "live" performances show us the bodies that produce the sounds we hear. Exploring the link between moving images and musical movement as physical gesture, this volume asks why performance is so often derided as mere skill whereas composition is afforded the status of art, a question that opens onto a broader critique of attitudes regarding mental and physical labor in Western culture.--Publisher's website.
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