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Europe in Its Own Eyes, Europe in the Eyes of the Other
What is Europe? Who is European? What do Europe and European identity mean in the twenty-first century? This collection of sixteen essays seeks to answer these questions by focusing on Europe as it is seen through its own eyes and through the eyes of others across a variety of cultural texts, including sport, film, literature, dance, cartography, and fashion. These texts, as interpreted here by emerging researchers as well as well-established scholars, enable us to engage with European identities in the plural and to understand what these identities mean in larger cultural and political contexts. The interdisciplinary focus of this volume permits an exploration of European identity that reac...
Hopeless Love
"Hopeless Love explores a number of texts that are significant to an understanding of sexuality in medieval and Renaissance Europe. Focusing on two major Italian works, Mary-Michele DeCoste uses feminist and queer theory to read the story of the maiden warrior Bradamante and the princess Piordispina, as related in the last tale of Boiardo's apparently unfinished Orlando innamorato (1494) and an episode that appears at the centre of Ariosto's Orlando furioso (1532)." --Book Jacket.
"Vano Amore"
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Europe in Its Own Eyes, Europe in the Eyes of the Other
What is Europe? Who is European? What do Europe and European identity mean in the twenty-first century? This collection of sixteen essays seeks to answer these questions by focusing on Europe as it is seen through its own eyes and through the eyes of others across a variety of cultural texts, including sport, film, literature, dance, cartography, and fashion. These texts, as interpreted here by emerging researchers as well as well-established scholars, enable us to engage with European identities in the plural and to understand what these identities mean in larger cultural and political contexts. The interdisciplinary focus of this volume permits an exploration of European identity that reac...
A Rhetoric of the Decameron
"Addressing herself equally to those who argue for proto-feminist Boccaccio - a quasi-liberal champion of women's autonomy - and to those who argue for a positivistically secure, historical Boccaccio who could not possibly anticipate the concerns of the twenty-first century, Migiel challenges readers to pay attention to Boccaccio's language, to his pronouns, his passives, his patterns of repetition, and his figurative language. She argues that human experience, particularly in the sexual realm, is articulated differently by the Decameron's male and female narrators, and refutes the notion that the Decameron offers an undifferentiated celebration of Eros. Ultimately, Migiel contends, the stories of the Decameron suggest that as women become more empowered, the limitations on them, including the threat of violence, become more insistent."--Jacket.
Views on Europe
The history of travel has long been constructed and described almost exclusively as a history of "European", male mobility, without, however, explicitly making the gender and whiteness of the travellers a topic. The anthology takes this as an occasion to focus on journeys to Europe that gave "non-Europeans" the opportunity to glance at "Europe" and to draw a picture of it by themselves. So far, little attention has been paid to the questions with which attributes these travellers endowed "Europe" and its people, which similarities and differences they observed and which idea(s) of "Europe" they produced. The focus is once again on "Europe", but not as the starting point for conquests or journeys. From a postcolonial and gender historical view, the anthology’s contributions rather juxtapose (self-)representations of "Europe" with perspectives that move in a field of tension between agreement, contradiction and oscillation.
Setting Plato Straight
In 'Setting Plato Straight', Todd W. Reeser undertakes the first sustained and comprehensive study of Renaissance textual responses to Platonic same-sex sexuality. Reeser mines an expansive collection of translations, commentaries, and literary sources to study how Renaissance translators transformed ancient eros into non-erotic, non-homosexual relations.
Lilacs
In this exquisite collection, DeCoste distills quotidian and epiphanic memories of a woman's life- a childhood crush, a bedtime story, a brief affair - into moments of breath on the page. Set among lilacs, forsythias, crickets and snakes, composed while reading Arabic poetry and The Economist, DeCoste's poems find their way into the reader's own experience and memory. Lilacs is a gift of attention. -Lisa L. Moore, author of 24 Hours of Men and Archibald A. Hill Professor of English at The University of Texas at Austin These witty, acerbic, formally deft poems offer many pleasures as they anatomize the estrangements and infidelities of various intimacies. In such poems as her terrific sonnet "Is That All There Is?", DeCoste is clear-eyed, unsentimental, and heart-wrenchingly good. -Geoffrey Brock, author of Voices Bright Flags DeCoste's handling of language, in both free and formal verse, is as deft and incisive as it is lyrical. Of special delight is the way DeCoste uses traditional forms to their supple utmost to shape and clarify the often-murky landscape of modern life. The poems in Lilacs linger in the mind and heart of the reader. -Leslie Schultz, author of Concertina
The Rise of the Diva on the Sixteenth-Century Commedia dell'Arte Stage
The Rise of the Diva on the Sixteenth-Century Commedia dell’Arte Stage examines the emergence of the professional actress from the 1560s onwards in Italy. Tracing the historical progress of actresses from their earliest appearances as sideshow attractions to revered divas, Rosalind Kerr explores the ways in which actresses commodified their sexual and cultural appeal. Newly translated archival material, iconographic evidence, literary texts, and theatrical scripts provide a rich repertoire through which Kerr demonstrates how actresses skillfully improvised roles such as the maidservant, the prima donna, and the transvestite heroine. Following the careers of early stars such as Flaminia of Rome, Vincenza Armani, Vittoria Piissimi, and Isabella Andreini, Kerr shows how their fame arose from the combination of dazzling technical mastery and eloquent powers of persuasion. Seamlessly integrating the Italian and English scholarly literature on the subject, The Rise of the Diva is an insightful analysis of one of the modern world’s first celebrity cultures.
Queer Italia: Same-Sex Desire in Italian Literature and Film
Queer Italia gathers essays on Italian literature and film, medieval to modern. The volume's chronological organization reflects its intention to define a queer tradition in Italian culture. While fully cognizant of the theoretical risks inherent in trans-historicizing sexuality, the contributors to this volume share an interest in probing the multi-form dynamics of sexual desires in Italian texts through the centuries. The volume aims not to promote the mistaken notion of a single homosexuality through history. Rather, these essays together upset and undo the equally misguided assumption of an omnipresent heterosexuality through time by uncovering the various, complex workings of desire in texts from all periods. Somewhat paradoxically, a kind of queer canon results. These essays open a much-needed critical space in the Italian tradition wherein fixed definitions of sexual identity collapse. Queer Italia is the first and only work of its kind in Italian criticism. As such, it will be of interest to a wide audience of Italianists, medieval to modern, and queer cultural theorists.
