You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Tunç Okan (Bay Okan) is an independent emigrant filmmaker born in 1942 in Turkey. He started his filmmaking career in 1974 with his debut film The Bus, which he made in Sweden, and partly in Germany. He completed the film some seven years after he quit his short but hectic acting career in Turkey’s popular commercial cinema industry, Yeşilçam. A dentist by training, Okan’s cinema career started in 1965 after winning an acting competition organised by a popular film magazine. Starring in thirteen films in a period of less than two years, he achieved considerable fame. In 1967, Okan quit his career in Yeşilçam, which he accused of anaesthetising society, and immigrated to Switzerland....
A Companion to American Indie Film features a comprehensive collection of newly commissioned essays that represent a state-of-the-art resource for understanding key aspects of the field of indie films produced in the United States. Takes a comprehensive and fresh new look at the topic of American indie film Features newly commissioned essays from top film experts and emerging scholars that represent the state-of-the-art reference to the indie film field Topics covered include: indie film culture; key historical moments and movements in indie film history; relationships between indie film and other indie media; and issues including class, gender, regional identity and stardom in in the indie field Includes studies of many types of indie films and film genres, along with various filmmakers and performers that have come to define the field
With chapters on under-explored cinemas as well as traditional centres, Independent Filmmaking around the Globe explores how contemporary independent filmmaking increasingly defines the global cinema of our time.
This gripping and accessible work of history, religion, and literary criticism chronicles the first English translation of the King James version of the bible—through the tumultuous reigns of Henry VIII, Edward VI, Mary Tudor, and Elizabeth I, a time of fierce contest between Catholics and Protestants in England—which took centuries to complete. Next to the Bible itself, the English Bible was -- and is -- the most influential book ever published. The most famous of all English Bibles, the King James Version, was the culmination of centuries of work by various translators, from John Wycliffe, the fourteenth-century catalyst of English Bible translation, to the committee of scholars who co...
None
The Feeling Child: Affect and Politics in Latin American Literature and Film compiles a series of essays focusing on the figure of the child within the specific context of the “affective turn” in the study of contemporary sociocultural settings across Latin America. This edited volume looks specifically at the intersection between cultural constructions of childhood and the affective turn within the contemporary sociopolitical landscape of Latin America. The editors and contributors share a common aim in furthering comprehension of the particular intensity of the child’s affective presence—spectatorial, haptic, silent, and spectral, among others—in contemporary Latin American cultu...
Thomas Stukeley was one of the most colourful characters of the Elizabethan age, whose exploits as mercenary, pirate, forger, colonial adventurer, political advisor, diplomat and traitor brought him fame and notoriety throughout Europe. In this new biography, Professor Tazon makes extensive use of previously neglected documents from British, Spanish and Italian archives to produce a much more rounded and complete portrait of Stukeley and the events in which he participated. He portrays Stukeley as a real figure, urging the reader to view in parallel English, Spanish, Irish and wider European history.
This book explores 2010s Hong Kong film industry, focusing on its (presumably) independent sector. Although frequently mentioned in global film industry studies, the term ‘independent film’ does not always carry a clear meaning. Starting with this point, this book studies closely Hong Kong’s new indie cinema of the 2010s from political, economic, social, cultural, and film industrial perspectives, arguing that this indie cinema was vital to the long-term sustainability of the city’s film industry.
This edited collection highlights how people connected with friends and family, students and colleagues, and leaders and communities, in their quest to persevere during the pandemic. The chapters describe how people enjoyed their passions for the arts in new and unexpected ways, given the restrictions of COVID-19 safety protocols, and how scripted and reality television programming helped them escape, however briefly, from the traumas of the pandemic, the racial injustice, the political machismo and divisiveness of this time. This book will be of particular interest to scholars of communication, media studies, sociology, cultural studies, and gender studies.
Philip II of Spain, the most powerful monarch in sixteenth-century Europe and a ferocious empire-builder, was matched against the dauntless queen of England, Elizabeth I, determined to defend her country and thwart Philip's ambitions. Philip had been king of England while married to Elizabeth's half-sister, Bloody Mary Tudor, a devout Catholic. After Mary's untimely death, he courted Elizabeth, the new queen, and proposed marriage to her, hoping to build a permanent alliance between his country and hers and return England to the Catholic fold. Lukewarm to the Spanish alliance and resolute against a counterreformation, Elizabeth declined his proposal. When under her guidance England's maritim...