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One day, when Mary Rose Callaghan was 13, her mother jumped into the freezing Irish Sea. Knowing that her mother was an asthmatic, the shock of seeing her dive into “the deep end” began Mary Rose’s curiosity about her mother’s life. That curiosity spawned the writing of this memoir, a coming-of-age tale focused on Mary Rose’s relationship with her mother, which endured through economic hardship, and her mother’s descent into mental illness and alcoholism. The Deep End begins by tracing her mother’s arrival in Ireland in the 1930s, training to be a nurse, and marriage to Mary Rose’s father, continues through Mary Rose’s difficult childhood and later success as a writer, and culminates with her marriage to Robert Hogan and her mother’s death.
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James mark Sullivan was part of the post-famine Irish immigration to the United States in the late 19th century. Overcoming family misfortune, he moved from newsboy to journalist to Yale-educated lawyer. Relocating to New York City, his association with Tammany Hall involved him in the "Crime of the Century" Becker-Rosenthal murder case, a role not previously explored. Sullivan's involvement won him a patronage appointment as ambassador to Santo Domingo. Scandals about graft and corruption forced his resignation. However, another factor which contributed to his dismissal, unexplained until now, was his effort at subversion of his government's policy of neutrality, which was connected to his ties to Irish nationalism. He later established the first indigenous Irish film company with a pronounced Nationalist agenda, making several films which are now classics of the silent film era. Following the death of his wife and son during the influenza epidemic of 1918, he returned to the United States. Failing to revive his legal career, he removed to Florida, dying in relative obscurity.
The very different histories of the North and South are reflected in their literature. While women in the Republic of Ireland have tended to write about social issuessexism, crime, unemployment, and domestic violencewomen in Northern Ireland focused on their society's historical tension and primarily nationalist and unionist politics. However, Pelan maintains that feminist ideology has provided contemporary Irish women with an alternate political stance that incorporates gender and nationality/ethnicity and allows them to move beyond the usual binaries of politics, history, and languageIrish and English. In an analysis enriched by a sophisticated but accessible engagement with contemporary f...
Spanning the island of Ireland over three centuries, this first history of Irish divorce places the human experience of marriage breakdown centre stage to explore the impact of a highly restrictive and gendered law, and its reform, on Irish society.
Presents a comparative study of fiction by late twentieth and twenty-first century women writers from Ireland, Northern Ireland and Wales. This work is of interest to students interested in women’s studies, gender studies, and cultural studies as well as Welsh, Irish and Celtic studies.
Katharine Parnell is still best remembered as Kitty O'Shea, the married woman who ensnared Charles Stewart Parnell (the uncrowned King of Ireland), destroyed his career, hastened his death and set back the cause of Irish independence for a generation.
Irish women writers have a large following, and their works are attracting large amounts of scholarly and critical attention. Through roughly 75 alphabetically arranged entries written by more than 35 expert contributors, this reference overviews the lives and works of Irish women writers active in a range of genres and periods. Each entry includes a brief biography, a discussion of major works and themes, a survey of the writer's critical reception, and a list of works by and about the author. The volume closes with a selected, general bibliography. Ireland has an especially lively literary tradition, and works by Irish writers have long been recognized as interesting and influential. While...