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Tarnished Hero
James mark Sullivan was part of the post-famine Irish immigration to the United States in the late 19th century. Overcoming family misfortune, he moved from newsboy to journalist to Yale-educated lawyer. Relocating to New York City, his association with Tammany Hall involved him in the "Crime of the Century" Becker-Rosenthal murder case, a role not previously explored. Sullivan's involvement won him a patronage appointment as ambassador to Santo Domingo. Scandals about graft and corruption forced his resignation. However, another factor which contributed to his dismissal, unexplained until now, was his effort at subversion of his government's policy of neutrality, which was connected to his ties to Irish nationalism. He later established the first indigenous Irish film company with a pronounced Nationalist agenda, making several films which are now classics of the silent film era. Following the death of his wife and son during the influenza epidemic of 1918, he returned to the United States. Failing to revive his legal career, he removed to Florida, dying in relative obscurity.
You are What You Eat
You are What You Eat: Literary Probes into the Palate offers tantalizing essays immersed in the culture of food, expanded across genres, disciplines, and time. The entire collection of You Are What You Eat includes a diversity of approaches and foci from multicultural, national and international scholars and has a broad spectrum of subjects including: feminist theory, domesticity, children, film, cultural history, patriarchal gender ideology, mothering ideology, queer theory, politics, and poetry. Essays include studies of food-related works by John Milton, Emily Dickinson, Fay Weldon, Kenneth Grahame, Roald Dahl, Shel Silverstein, J. K. Rowling, Mother Goose, John Updike, Maxine Hong Kingston, Alice Walker, Amy Tan, Louise Erdrich, Amanda Hesser, Julie Powell, Mary Wilkins Freeman, Martin Scorsese, Bob Giraldi, Clarice Lispector, José Antônio Garcia, Fran Ross, and Gish Hen. The topic addresses a range of interests appealing to diverse audiences, expanding from college students to food enthusiasts and scholars.
Crossing Borders
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Owning Performance | Performing Ownership
In 1710, England’s first copyright law gave authors the ability to own their works, but it was not until 1833 that literary property law was extended to protect dramatic performance. Between these dates, generations of playwrights grappled for control over their intellectual property in a cultural and legal environment that treated print differently from performance. As ownership became a central concern for many, actors fought to possess their dramatic parts exclusively, playwrights struggled to control and profit from repeat performances of their works, and managers tried to gain a monopoly over the performance of profitable plays. Owning Performance follows the careers of some of the 18...
Irish Women Writers
Irish women writers have a large following, and their works are attracting large amounts of scholarly and critical attention. Through roughly 75 alphabetically arranged entries written by more than 35 expert contributors, this reference overviews the lives and works of Irish women writers active in a range of genres and periods. Each entry includes a brief biography, a discussion of major works and themes, a survey of the writer's critical reception, and a list of works by and about the author. The volume closes with a selected, general bibliography. Ireland has an especially lively literary tradition, and works by Irish writers have long been recognized as interesting and influential. While...
The Deep End
One day, when Mary Rose Callaghan was 13, her mother jumped into the freezing Irish Sea. Knowing that her mother was an asthmatic, the shock of seeing her dive into “the deep end” began Mary Rose’s curiosity about her mother’s life. That curiosity spawned the writing of this memoir, a coming-of-age tale focused on Mary Rose’s relationship with her mother, which endured through economic hardship, and her mother’s descent into mental illness and alcoholism. The Deep End begins by tracing her mother’s arrival in Ireland in the 1930s, training to be a nurse, and marriage to Mary Rose’s father, continues through Mary Rose’s difficult childhood and later success as a writer, and culminates with her marriage to Robert Hogan and her mother’s death.
F. Scott Fitzgerald on Silent Film
F. Scott Fitzgerald on Silent Film is the first full-length monograph focusing on the silent movie adaptations of the celebrated author’s work. This ground-breaking book reveals the crucial role that Hollywood played in establishing Fitzgerald’s burgeoning reputation in the 1920s.
Irish Fiction
Following the structure of other titles in the Continuum Introductions to Literary Genres series, Irish Fiction includes: A broad definition of the genre and its essential elements. A timeline of developments within the genre. Critical concerns to bear in mind while reading in the genre. Detailed readings of a range of widely taught texts. In-depth analysis of major themes and issues. Signposts for further study within the genre. A summary of the most important criticism in the field. A glossary of terms. An annotated, critical reading list. This book offers students, writers, and serious fans a window into some of the most popular topics, styles and periods in this subject. Authors studied ...
The Green Space
A historical exploration of the Irish image in popular culture It only took a century or so to segue from phrases like “No Irish Need Apply” to “Kiss Me, I’m Irish” in American popular culture. Indeed, the transformation of the Irish image is a fascinating blend of political, cultural, racial, commercial, and social influences. The Green Space examines the variety of factors that contributed to remaking the Irish image from downtrodden and despised to universally acclaimed. To understand the forces that molded how people understand “Irish” is to see the matrix—the green space—that facilitated their interaction between the 1890s and 1960s. Marion R. Casey argues that, as “...
Unauthorized Versions
Certain moments in history, especially periods of cultural turmoil and political change, appear to be conducive to the writing of Menippean satire. Unauthorized Versions is the first integral study of Menippean satires written in Ireland in the three decades following the declaration of the Irish Free State in 1922. The book discusses works by Darrell Figgis, Eimar O'Duffy, Austin Clarke, Flann O'Brien, and Mervyn Wall in the context of political and social developments, particularly relating to economic policy, the role of the Church, and censorship. Mikhail Bakhtin defines Menippean satire as an unresolved dialogue between actual and/or implied voices designed to test a truth or philosophi...
