You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
One of the few women pioneers of cinema and a committed feminist, Germaine Dulac strongly believed that the public had a role to play in shaping the history of cinema and the kinds of films that filmmakers could make. This book draws on a wealth of archival material – both films and writing – to study Dulac’s ‘behind the scenes’ work on filmmaking and her social/political activism in the field of cinema. The biographical and historical introduction contextualises Dulac’s situation at the heart of the avant-garde. Three chapters organise her films and career around the kinds of cinema that she promoted: ‘psychological’, ‘pure’ and ‘documentary’. The conclusion contrasts Dulac’s contributions with those of Alice Guy Blaché, another early woman film pioneer, highlighting their differing paths to recognition.
These sixteen illustrated essays present an important revision of surrealism by focusing on the works of women surrealists and their strategies to assert positions as creative subjects within a movement that regarded woman primarily as an object of masculine desire or fear.While the male surrealists attacked aspects of the bourgeois order, they reinforced the traditional patriarchal image of woman. Their emphasis on dreams, automatic writing, and the unconscious reveal some of the least inhibited masculine fantasies. The first resistance to the male surrealists' projection of the female figure arose in the writings and paintings of marginalized woman artists and writers associated with Surre...
This study explores the complex interrelationships that exist between translation, gender and race. It focuses on anti-slavery writing by French women during the revolutionary period, when a number of them spoke out against the oppression of slaves and women."
A Frail Liberty traces the paradoxical actions of the first French abolitionist society, the Société des Amis des Noirs (Society of the Friends of Blacks), at the juncture of two unprecedented achievements of the revolutionary era: the extension of full rights of citizenship to qualifying free men of color in 1792 and the emancipation decree of 1794 that simultaneously declared the formerly enslaved to be citizens of France. This society helped form the revolution’s notion of color-blind equality yet did not protest the pro-slavery attack on the new citizens of France. Tessie P. Liu prioritizes the understanding of the elite insiders’ vision of equality as crucial to understanding this...
This book finds its origin partly in the International Colloquium on French and Francophone Literature in the 1990's at Dalhousie University, September 1998. number of the papers, since reworked, take their place here alongside other studies subsequently invited. They form a broad and varyingly focused set of cogent and pertinent appraisals of very recent French, and francophone, poetic practice and its shifting, becoming conceptual underpinnings.
Dobie explores the place of the colonial world in the culture of the French Enlightenment, tracing the displacement of colonial questions onto two familiar aspects of Enlightenment thought: Orientalism and fascination with Amerindian cultures.
`The only novel of mine that I considered...at all to count'. Ford's study of the complex social and sexual relationship between an Edwardian English and American couple is narrated in such a seemingly haphazard way that it has perplexed and delighted readers since its publication in 1915. Despite its catalogue of death, insanity, and despair, this `Tale of Passion' has many comic moments, and has inspired the work of several distinguished writers, including Graham Greene. This is the only annotated student edition available. - ;`The only novel of mine that I considered...at all to count'. Ford's study of the complex social and sexual relationship between an Edwardian English and American couple is narrated in such a seemingly haphazard way that it has perplexed and delighted readers since its publication in 1915. Despite its catalogue of death, insanity, and despair, this `Tale of Passion' has many comic moments, and has inspired the work of several distinguished writers, including Graham Greene. This is the only annotated student edition available. -
How we view the foreign, presented either in the interrelated forms of culture, language, or text, determines to a large degree the way in which we translate. This volume of essays examines the cultural politics of translation that have determined the production and dissemination of the foreign in domestic cultures as varied as contemporary North America, Europe, and Israel. The essays address from a variety of theoretical perspectives the question posed almost two hundred years ago by the German philosopher Friedrich Schleiermacher of whether the translator should foreignize the domestic or domesticate the foreign.
Women Warriors in Romantic Drama advances scholarship on late eighteenth- and early nineteenth-century theater by bringing together, for the first time, female and male dramatists as well as British, German, Irish, and French writers, thinkers, actors, and philosophers. This transnational perspective allows Women Warriors in Romantic Drama to make the provocative claim that in some instances, the violence of the French Revolution--and especially women's participation in it--advances proto-feminist concerns.
In seeking to give voice to absent things or lost experiences, Richard Stamelman says, modern poetry attempts to give absence a shape. Loss, in his view, is both the cause and the subject of the modern poem. Fittingly, in Lost beyond Telling he formulates and develops what he calls a poetics of loss, with which he frames his treatment of modern French poetry.