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The study of popular culture has come of age, and is now an area of central concern for the well-established domain of cultural studies. In a context where research in popular culture has become closely intertwined with current debates within cultural studies, this volume provides a selection of recent insights into the study of the popular from cultural studies perspectives. Dealing with issues concerning representation, cultural production and consumption or identity construction, this anthology includes chapters analysing a range of genres, from film, television, fiction, drama and print media to painting, in various contexts through a number of cultural studies-oriented theoretical and m...
This volume in political epistemology offers a comprehensive discussion of the multiple applicability of Gramscian concepts and categories to the historical, sociological, and cultural analysis of science. The authors argue that the perspective of hegemony and subalternity allows us critically to assess the political directedness of scientific practices as well as to reflect on the ideological status of disciplines that deal with science at a meta-level – historical, socio-historical, and epistemological. Contributors include: Massimiliano Badino, Javier Balsa, Lino Camprubí, Ana Carneiro, Luís Miguel Carolino, Riccardo Ciavolella, Roger Cooter, Alina-Sandra Cucu, Maria Paula Diogo, Isabel Jiménez Lucena, Annelies Lannoy, Jorge Molero Mesa, Agustí Nieto-Galan, Pietro Daniel Omodeo, Matteo Realdi, Jaume Sastre-Juan, Arne Schirrmacher, Ana Simões, Carlos Tabernero Holgado, and Carlos Ziller Camenietzki.
Questions of identity and identification are among the most important evolving concerns of contemporary cultural studies. Through processes of personal identification with discursively constructed subject positions, identities emerge across a wide range of cultural practices in the course of social interactions involving the use of language and other semiotic systems manifested in cultural artefacts of various kinds. The present collection includes a selection of papers on the topic of identity and identification in cultural studies today. Incorporating theoretical contributions and practical case studies, this monograph adds to contemporary debates on identity-forging practices from various...
Interpreting the New Milenio is a collection of essays analyzing the past, present and future directions of Chicano Literature. Beginning with the presence of Spanish conquistadors in the U.S. and ending with contemporary authors such as Sandra Cisneros, Interpreting the New Milenio covers well-known Chicano authors as well as lesser known 19th-century Hispanic writers. The essays in the collection examine Chicano literature as well as its precedents as a whole, so as to find the keys for the interpretation of the challenges posed by the new millennium.
The Poetics and Politics of Hospitality in U.S. Literature and Culture explores hospitality in a range of cultural expressions from a variety of approaches. The authors analyze and discuss forms of hospitality in canonical literature, ethnic literatures, language or movies. These span from the classical to the contemporary and include a focus on language, power, hybridism, and sociology. The common theme in these contributions is that of American identity. By looking at a diversity of representations of American culture, using a multiplicity of approaches, the authors convey the richness of American hospitality as a vital aspect of its culture.
The academic resistance that cultural studies has encountered remains especially visible in Eastern and Southern European countries. One such example is Spain, where cultural studies is seen at best as an emergent research field. Hence the interest of this volume, conceived in Spain by an all-Spanish editorial team and written by a diverse range of authors who prove that, in spite of all difficulties, cultural studies continues to bloom – even in Southern and Eastern Europe. The different chapters offer interdisciplinary insights into a wide selection of cultural materials whose relevance goes well beyond purely aesthetic issues. Altogether, the volume (1) provides interesting theoretical ...
Este libro presenta diversos estudios de literatura comparada y de mitocrítica, realizados por una serie de investigadores universitarios, españoles y extranjeros. Los estudios aparecen agrupados en torno a los siguientes temas generales: 1. Reescrituras modernas de los mitos de la Antigüedad griega y latina; 2. Proyección y reescritura de los mitos de la cultura judeocristiana; 3.Reescritura y pervivencia de los mitos artúricos; 4. Aspectos de la reescritura del mito de don Quijote y del mito de don Juan; 5. Reescritura de los temas y mitos de la literatura fantástica; 6. Reescrituras de temas y mitos de la postmodernidad y de la ciencia-ficción. Se recoge también la aportación de los escritores José María Merino y Florence Delay, que han reformulado en sus obras ciertos temas míticos.
"Fractured Fifties: The Cinematic Periodization and Evolution of a Decade presents a two-pronged argument that (1) cinema has helped define the 1950s by contributing in considerable and meaningful ways to the process of periodization and thus a general conception of the decade, and (2) cinema has fractured our sense of the 1950s. It challenges a reductive and fairly cohesive set of tropes with a complex amalgam of representations that also intervene in debates about historiography, historicity, cultural memory, mediation, nostalgia, and periodization. In other words, cinema has fractured our sense of the 1950s, yielding in the process a series of 1950s types or kinds, (e.g., The Leave it to Beaver Fifties, The Jukebox Fifties, and The Cold War Fifties, The Retromediated Fifties, etc.) as well as a wealth of critical insights into myriad pasts, presents, and the evolving relationships between them"--
Looking across the cultural landscape of the twenty-first century, its literature, film, television, comic books, and other media, we can see multiple examples of what Shelley S. Rees calls a "changeling western," what others have called "weird westerns," and what Michael K. Johnson refers to as "speculative westerns"--that is, hybrid western forms created by merging the western with one or more speculative genres or subgenres, including science fiction, fantasy, horror, and alternate history. Speculative Wests investigates both speculative westerns and other speculative texts that feature western settings. Just as "western" refers both to a genre and a region, Johnson's narrative involves a...