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The Cabrito Path
Libro en inglés sobre el consumo del cabrito con recetas tradicionales y de autor. "La senda del cabrito se compone de textos relacionados con el cabrito en México, animal común en la Mixteca, el norte y el Bajío del país; en ellos se plasman vivencias del autor y de varios expertos (caprinocultores, historiadores, cronistas y chefs) que comparten de manera amena datos relevantes mediante relatos, entrevistas y reportajes. La sección de recetas se divide en 3 apartados: Platillos clásicos de la región noreste de México; Recetas de autor, creadas por reconocidos chefs mexicanos de talla internacional, y Preparaciones contemporáneas y novedosas creadas por Juan Ramón Cárdenas."
Polychrome Art in the Early Modern World
This book focuses on the techniques and materials of polychromy used in early modern Europe and the Americas from 1200 to 1800. Taking a trans-cultural approach, the book studies the production of polychrome sculptures, panels, and altarpieces, as well as colored terracotta. The book includes chapters on treatises and contracts that reveal specific use of pigments, distribution of workshops, collaborations between specialized artists, and artistic programs centered on the use of color as an agent. The book will be of interest to scholars working in art history, art conservation, early modern history, sculpture, colonialism, material culture, and European studies.
Doña Teresa Confronts the Spanish Inquisition
In 1598, at the height of the Spanish Inquisition, New Mexico became Spain’s northernmost New World colony. The censures of the Catholic Church reached all the way to Santa Fe, where in the mid-1660s, Doña Teresa Aguilera y Roche, the wife of New Mexico governor Bernardo López de Mendizábal, came under the Inquisition’s scrutiny. She and her husband were tried in Mexico City for the crime of judaizante, the practice of Jewish rituals. Using the handwritten briefs that Doña Teresa prepared for her defense, as well as depositions by servants, ethnohistorian Frances Levine paints a remarkable portrait of daily life in seventeenth-century New Mexico. Doña Teresa Confronts the Spanish In...
Ghosts of Passion
The question of what caused the Spanish Civil War (1936–39) is the central focus of modern Spanish historiography. In Ghosts of Passion, Brian D. Bunk argues that propaganda related to the revolution of October 1934 triggered the broader conflict by accentuating existing social tensions surrounding religion and gender. Through careful analysis of the images produced in books, newspapers, posters, rallies, and meetings, Bunk contends that Spain’s civil war was not inevitable. Commemorative imagery produced after October 1934 bridged the gap between rhetoric and action by dehumanizing opponents and encouraging violent action against them. In commemorating the uprising, revolutionaries and conservatives used the same methods to promote radically different political agendas: they deployed religious imagery to characterize the political situation as a battle between good and evil, with the fate of the nation hanging in the balance, and exploited traditional gender stereotypes to portray themselves as the defenders of social order against chaos. The resulting atmosphere of polarization combined with increasing political violence to plunge the country into civil war.
Colonial Soldiers in Europe, 1914-1945
During the first half of the twentieth century, European countries witnessed the arrival of hundreds of thousands of colonial soldiers fighting in European territory (First and Second World War and Spanish Civil War) and coming into contact with European society and culture. For many Europeans, these were the first instances in which they met Asians or Africans, and the presence of Indian, Indo-Chinese, Moluccan, Senegalese, Moroccan or Algerian soldiers in Europe did not go unnoticed. This book explores this experience as it relates to the returning soldiers - who often had difficulties re-adapting to their subordinate status at home - and on European authorities who for the first time had to accommodate large numbers of foreigners in their own territories, which in some ways would help shape later immigration policies.
Literatures of the World
Beginning with Erich Auerbach’s reflections on the Goethean concept of World Literature, Ottmar Ette unfolds the theory and practice of Literatures of the World. Today, only those literary theories that are oriented upon a history of movement are still capable of doing justice to the confusing diversity of highly dynamic, worldwide transformations. This is because they examine transareal pathways in the field of literature. This volume captures literary processes of exchange and transformation between the Mediterranean, Atlantic and Pacific as well as the interplay of different ways of narrating space and time. Thus, this volume speaks from a fractal point of view and unfolds multiple perspectives. Literatures of the World allows the reader to think in different logical frameworks at the same time, therefore shaping our future on the basis of the diversity of humankind.
Preaching Power
"This book uses a gender perspective to examine sermons and other officially endorsed discourses of the Catholic Church in eighteenth- and nineteenth-century Mexico City. Analyzing the different ways that, over time, gendered images, metaphors, and hagiographical examples were used in sermons and other documents, the book examines how the church negotiated challenges to its cultural and ideological hegemony. Beginning with sermons from the early eighteenth century, the author follows the evolution of church discourses as preachers reveled in Baroque analogies, embraced ideals of the Enlightenment, targeted women's alleged moral vices at times of political crisis, and ultimately turned to notions of women as ""the devout sex"" in order to combat incipient liberalism. Put another way, liberals after independence were not the only ones to assert a kind of ""republican motherhood"": preachers countered with a vision of ""Catholic motherhood"" that had great resonance in Mexico even into the twentieth century."
Grandeza Del México Virreinal
The Mexican colonial period has traditionally been considered a dark period in the arts, a long gap between the arrival of the Spaniards and the early twentieth century. Through new and focused scholarship, the exhibition catalogue The Grandeur of Viceregal Mexico demonstrates that just the opposite is true. This landmark publication features extraordinary decorative and fine arts from the Mexican viceregal period (1521-1821). The lavishly illustrated catalogue is written in Spanish and English and, for the first time, presents to American audiences the rich artistic heritage of colonial Mexico. Five insightful essays by Mexican and American specialists explore the confluence of cultures tha...
Museo de Bogotá. 50 años.
Existen diferentes tipologías de museos: museos de arte, de historia, de ciencia, de sitio. Las grandes urbes del mundo tienen museos de ciudad. Y por fortuna, Bogotá ya cuenta con el museo de ciudad que se merece, el Museo de Bogotá. El proyecto de renovación y fortalecimiento, con miras a la celebración de sus primeros cincuenta años en 2019, constituyó una de las principales apuestas fijadas desde el comienzo de la presente administración del Instituto Distrital de Patrimonio Cultural –IDPC–, entendida como una poderosa estrategia de divulgación y apropiación del patrimonio cultural bogotano, en su significado más amplio, con el fin de hacer del Museo un lugar para la refle...
