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Workplace and Employee Health in the Post-Pandemic World; Strategies, Risks, and Challenges
The COVID-19 pandemic has disrupted the economies, public health, and medical care systems. It is also shaping the future of work. The pandemic has normalized various trends about work, with significant implications for enterprises, employee health, and wellbeing. Internationally, employers, government agencies, public health agencies, trade unions, and professional associations have dealt with maintaining economic activity while keeping workers safe and healthy. The pandemic has emphasized the importance of work in shaping population health and wellbeing. This perspective implies a multilevel system framework to aid in understanding the complex and diverse interactions of factors impacting ...
Handbook of Latin American Studies, Vol. 76
Beginning with Number 41 (1979), the University of Texas Press became the publisher of the Handbook of Latin American Studies, the most comprehensive annual bibliography in the field. Compiled by the Hispanic Division of the Library of Congress and annotated by a corps of specialists in various disciplines, the Handbook alternates from year to year between social sciences and humanities. The Handbook annotates works on Mexico, Central America, the Caribbean and the Guianas, Spanish South America, and Brazil, as well as materials covering Latin America as a whole. Most of the subsections are preceded by introductory essays that serve as biannual evaluations of the literature and research underway in specialized areas.
Variaciones Orfeo
Variaciones Orfeo consituye una reunión de voces que, desde distintos espacios geográficos y textuales, escriben de / para / sobre un posible Orfeo; o acaso sobre su revés: una imposible Eurídice. Se trata del intento de escritura siempre arriesgado a un vacío y expectante ante lo extraño, de una experiencia polifónica atravesada por diversos tonos y matices. Los artículos que conforman este libro buscan leer a Orfeo (y a Eurídice), a algunos Orfeos (y a algunas Eurídices) de la cultura occidental. Todas las voces aquí reunidas atraviesan esta experiencia de escritura habitada por el nombre propio. Si el tema de este libro es Orfeo (aunque en rigor nunca hay un solo tema, así como tampoco hay un solo Orfeo), cada texto pone el tema en variación continua, en un estado de movimiento que posibilita asociaciones y desplazamientos, asumiendo que toda variación carece de centro. Variaciones, en suma, que se trasladan por las erráticas regiones en las que suena la música desgarrada de Orfeo, donde esplende la ausencia imposible de Eurídice: amor, muerte, pérdida, filosofía, literatura, música.
Besarme el rostro en Jesucristo
"Aventura mística", "místico de nuestro tiempo", "místico extraterritorial" o "mística corrida de lugar": estas, entre otras, son expresiones con las que se califica la poesía de Héctor Viel Temperley o al propio autor. Estrella Isabel Koira aborda esta cuestión y se pregunta sobre el fundamento de la calificación "mística/o" analizando la obra del poeta desde una perspectiva interdisciplinaria que integra los estudios literarios, la filosofía de la religión y la teología cristiana. Desde allí construye itinerarios de análisis alternativos que le permiten delimitar figuras, metáforas e imágenes para seguir pensando la obra de uno de los poetas más fascinantes del siglo XX en...
Be who You are
Nick was born in a boy's body, but has always felt like a girl inside. Nick's family supports him when he says he no longer wants to be called a boy or dress like a boy; "Always remember to be who you are Nick. Remember that we love you, and we are so proud of you." (p. 17). Nick's parents find a group for families like theirs. With their support, Nick expresses a desire to be addressed as "she," and then to be named "Hope." Based on the author's experiences with her children.
Hablar de poesía
None
Entranced Earth
A sweeping analysis of the lasting effects of neocolonial extractivism in Latin American aesthetic modernity from 1920 to the present Looking to the extractive frontier as a focal point of Latin American art, literature, music, and film, Jens Andermann asks what emerges at the other end of landscape. Art in the Global South has long represented and interrogated “insurgent nature”—organic and inorganic matter, human and nonhuman life, thrown into turmoil. In Entranced Earth: Art, Extractivism, and the End of Landscape, Andermann traces the impact of despaisamiento—world-destroying un-landscaping—throughout the Latin American modernist archive. At the same time, he explores innovative, resilient modes of allyship forged between diverse actors through their shared experiences of destruction. From the literary regionalism of the 1930s to contemporary bio art, from modernist garden architecture to representations of migration and displacement in sound art and film, Entranced Earth tracks the crisis of landscape and environmental exhaustion beyond despair toward speculative, experimental forms of survival.
