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Real-world Natural Language Processing shows you how to build the practical NLP applications that are transforming the way humans and computers work together. In Real-world Natural Language Processing you will learn how to: Design, develop, and deploy useful NLP applications Create named entity taggers Build machine translation systems Construct language generation systems and chatbots Use advanced NLP concepts such as attention and transfer learning Real-world Natural Language Processing teaches you how to create practical NLP applications without getting bogged down in complex language theory and the mathematics of deep learning. In this engaging book, you’ll explore the core tools and t...
Arti?cial intelligence has recently been re-energized to provide the clues needed to resolve complicated problems. AI is also expected to play a central role in enhancing a wide variety of daily activities. JSAI (The Japanese Society for Arti?cial Intelligence) is responsible for boosting the activities of AI researchers in Japan, and their series of annual conferences o?ers attractive forums for the exposition of the latest achievements and inter-group communication. In the past, the best papers of the conferences were published in the LNAI series. This book consists of award papers from the 22nd annual conference of the JSAI (JSAI 2008) and selected papers from the three co-located worksho...
Over the past decade, Japan has become a key player on the contemporary horror scene, producing some of the most influential and critically respected genre movies of recent years. Whether it's the subtle chills of Ring, the graphic brutality of Audition or the zombie-fuelled mayhem of Versus, leading Japanese horror has had a major impact throughout the world. From its origins in the mid-80s to the multi-million dollar franchises of today, Flowers from Hell traces the evolution of this consistently inventive and influential horror phenomenon.
Since its inception in 1933, Toho Co., Ltd., Japan's most famous movie production company and distributor, has produced and/or distributed some of the most notable films ever to come out of Asia, including Seven Samurai, Godzilla, When a Woman Ascends the Stairs, Kwaidan, Woman in the Dunes, Ran, Shall We Dance?, Ringu, and Spirited Away. While the western world often defines Toho by its iconic classics, which include the Godzilla franchise and many of the greatest films of the legendary director Akira Kurosawa and actor Toshiro Mifune, these pictures represent but a tiny fraction of Toho's rich history. The Toho Studios Story: A History and Complete Filmography provides a complete picture o...
Greatly expanded and updated from the 1977 original, this new edition explores the evolution of the modern horror film, particularly as it reflects anxieties associated with the atomic bomb, the Cold War, 1960s violence, sexual liberation, the Reagan revolution, 9/11 and the Iraq War. It divides modern horror into three varieties (psychological, demonic and apocalyptic) and demonstrates how horror cinema represents the popular expression of everyday fears while revealing the forces that influence American ideological and political values. Directors given a close reading include Alfred Hitchcock, Brian De Palma, David Cronenberg, Guillermo Del Toro, Michael Haneke, Robert Aldrich, Mel Gibson and George A. Romero. Additional material discusses postmodern remakes, horror franchises and Asian millennial horror. This book also contains more than 950 frame grabs and a very extensive filmography.
The contributions to this volume investigate relations of cohesion and coherence as well as instantiations of discourse phenomena and their interaction with information structure in multilingual contexts. Some contributions concentrate on procedures to analyze cohesion and coherence from a corpus-linguistic perspective. Others have a particular focus on textual cohesion in parallel corpora that include both originals and translated texts. Additionally, the papers in the volume discuss the nature of cohesion and coherence with implications for human and machine translation. The contributors are experts on discourse phenomena and textuality who address these issues from an empirical perspectiv...
This comprehensive look at Japanese cinema in the 1990s includes nearly four hundred reviews of individual films and a dozen interviews and profiles of leading directors and producers. Interpretive essays provide an overview of some of the key issues and themes of the decade, and provide background and context for the treatment of individual films and artists. In Mark Schilling's view, Japanese film is presently in a period of creative ferment, with a lively independent sector challenging the conventions of the industry mainstream. Younger filmmakers are rejecting the stale formulas that have long characterized major studio releases, reaching out to new influences from other media—television, comics, music videos, and even computer games—and from both the West and other Asian cultures. In the process they are creating fresh and exciting films that range from the meditative to the manic, offering hope that Japanese film will not only survive but thrive as it enters the new millennium.
This two-volume set, consisting of LNCS 6608 and LNCS 6609, constitutes the thoroughly refereed proceedings of the 12th International Conference on Computer Linguistics and Intelligent Processing, held in Tokyo, Japan, in February 2011. The 74 full papers, presented together with 4 invited papers, were carefully reviewed and selected from 298 submissions. The contents have been ordered according to the following topical sections: lexical resources; syntax and parsing; part-of-speech tagging and morphology; word sense disambiguation; semantics and discourse; opinion mining and sentiment detection; text generation; machine translation and multilingualism; information extraction and information retrieval; text categorization and classification; summarization and recognizing textual entailment; authoring aid, error correction, and style analysis; and speech recognition and generation.
This book is about the perception of Japan in the sixty films set there by gaijin (foreigners) —outsiders who almost always do not speak or read Japanese. My area of attention is directed to films depicting post World War II Japan and the Japanese, and, in many cases, films showing how foreigners in the same time frame respond to Japan. Why have a substantial number of films been set there by strangers? As a body of work, what do they tell us about contemporary Japan and about cinema? These films certainly provide a new cultural history of the West’s reaction to Japan, but, even more, they are constructions that demonstrate how the West gazes at Japan. As such, more information can often be derived about the onlookers as on those looked-upon. ,