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The Lake Louise Winter Institute is held annually to explore recent trends in high energy physics in an informal setting. Pedagogical and review lectures are presented by invited experts. A topical workshop is held in conjunction with the Institute, with presentations by participants. Contents: Study of Charmed Particles Production and Decay in Neutrino Interactions (E Barbuto); Measurement of Triple Gauge-Boson Couplings in ALEPH (R Bruneliere); Recent Studies on Sparticles and MSSM Higgses at CMS (M Chiorboli); Measurement of Single Z Production at LEP2 (I Fleck); Open Heavy Flavour Production at HERA (J Kroseberg); Quantum Electrodynamics in Strong Magnetic Fields (D A Leahy); Spectroscopy of Baryons Containing Two Heavy Quarks (D U Matrasulov); Fermion Pair Production at LEPII and Limits on New Physics Processes (A J M Muijs); Recent Results on Jet Fragmentation from CDF (A N Safonov); Single Spin Azimuthal Asymmetries in Semi-Inclusive Electroproduction of Pions and Kaons (R-C Seidl); and other papers.,Readership: Graduate students, academics and researchers in high energy and theoretical physics.
The Lake Louise Winter Institute is held annually to explore recent trends in high energy physics in an informal setting. Pedagogical and review lectures are presented by invited experts. A topical workshop is held in conjunction with the Institute, with presentations by participants.
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All papers in these proceedings are in English. IFAE is an annual conference on high energy physics. Distinguished scientists discuss relevant topics of particle physics, cosmic ray and neutrino physics, as well as detector and accelerator technologies. Topics included are: the standard model, SUSY and beyond the standard model, heavy flavor physics, neutrinos and cosmic rays, as well as detectors and new technologies.
In particular, optical imagery and paradigms afforded poets a new approach to the roles of the languishing male and his powerful beloved."--Jacket.
This study explores the phenomenon of the cults of Raphael and Michelangelo in relation to their death, burial, and posthumous fame—or second life—from their own times through the nineteenth century. These two artists inspired fervent followings like no other artists before them. The affective response of those touched by the potency of the physical presence of their art- works, personal effects, and remains—or even touched by the power of their creative legacy—opened up new avenues for artistic fame, divination, and commemoration. Within this cultural framework, this study charts the elevation of the status of dozens of other artists in Italy through funerals and tomb memorialization, many of which were held and made in response to those of Raphael and Michelangelo. By bringing together disparate sources and engaging material as well as a variety of types of artworks and objects, this book will be of great interest to anyone who studies early modern Italy, art history, cultural history, and Italian studies.